A Quote by Greil Marcus
When you celebrate somebody's bad work on the terms that define their good work, how can that artist have anything but contempt for an audience that can't tell the good from the bad?
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In philosophy class I think we finally decided that 'good' is an infinitely recursive term - it can't be defined except in terms of itself. Good is good because it's better than bad, though why it's better to be good than bad depends on how you define good, and on and on.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
I'm not sure anything makes you an outright good person or bad person - that we're all capable of doing good or bad things. And if you want to know how much good you can do, and how much hurt you can do, just ask somebody you love.
What you might consider a bad work can be of extreme interest to an artist in ways which are not about its being a good or bad.
But we have seen amazing things, good and bad, happen in this game, so you can never take anything for granted. I certainly don't. There are no guarantees, whether it is good bad or indifferent you just work hard to push the odds in your favour as regards myself and the team.
The fruit does not make the tree good or bad but the tree itself is what determines the nature of the fruit. In the same way, a person first must be good or bad before doing a good or bad work.
I don't think [price] reflects if the work is good or bad.A good artist shouldn't be nervous about that.
The terms good and bad indicate no positive quality in things regarded in themselves, but are merely modes of thinking or notions, which we form from the comparison of things one with another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance, music is good for him that is melancholy, bad for him that mourns; for him that is deaf; it is neither good nor bad.
Too many companies these days can't tell the difference between good profits and bad.... By now you're probably wondering how in heaven's name profit, that holy grail of the business enterprise, can ever be bad. Short of outright fraud, isn't one dollar of earnings as good as another? Certainly, accountants can't tell the difference between good and bad profits. They all look the same on an income statement. While bad profits don't show up on the books, they are easy to recognize. They're profits earned at the expense of customer relationships.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
If I'm good at something, I'm good at something, and if I'm bad at something, I'm just bad at something. Gender shouldn't have anything to do with any of my work or anything I produce or create.
Is it good, bad, or neutral to recognize thematic patterns in your own work? When it comes to recurring themes, I'm of the mind that knowledge is probably not power, at least in terms of the work.
A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
In this world, there are bad people and there are good people. We can either choose to celebrate the bad ones all the time, or we can celebrate the good ones.
Only a bad artist thinks he has a good idea. A good artist does not need anything.
Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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