A Quote by Greil Marcus
It's very lucky when you have an artist - whether it's a novelist or a filmmaker or a singer - whose career you can follow from the beginning and feel that you are in some way part of it, or part of the same world that it comes out of.
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There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.
I don't get many good offers. I like to follow the same kind of path I follow in France. If I don't feel the movie is very original or has a good amount of potential, I don't do it. In the films I've done I can feel I'm part of a specific universe, but those sorts of opportunities are quite rare.
When I'm writing film music, I feel like I'm more a filmmaker than a composer. It's more about what the film needs. I'm basically part of the team that's creating a film, and the music is a very important part, but it's just one part of many.
Queen Latifah has been a huge part of my career. She has been a huge, huge part of my career since the very beginning.
Some people can be choosy because they're ultratalented or lucky or whatever, but yeah, there are certain things that might not be the greatest thing on my resume. But I don't sit back and go, 'Gosh, I wish I didn't do that.' It's all part of the growth of a career, whether you're an entertainer or a librarian.
A filmmaker has almost the same freedom as a novelist has when he buys himself some paper.
Career-wise, I feel very lucky to have always been able to follow my creative path.
But I have never wanted to be a singer, because the exterior part of a career, I don't like very much.
I feel like I am beginning to be a part of a musical community, but I wouldn't say I'm a country artist because I wouldn't want to invalidate anybody else or to even begin to be so preposterous as to think I can just skate into town and get some fans.
I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart. This is my business as a novelist. It is not about positions and ideas.
The part of us that feels anger and depression is the same part that feels peace and love. If you refuse to feel the anger and the pain of a loss, you will not be able to feel anything else until that area heals. In other words, stay out of your own way. Let yourself feel bad if you want to feel bad. Feel joy, too. Healing is taking place. Give yourself the gift of healing.
I feel like in American fiction we're moving out of a period of intense irony, and I'm very glad about that. I feel like irony is fine for its own sake but shouldn't be the sole reason to write a book. It has been an ironic world view: that's the best way I can describe it. I'm a fan of earnestness. I feel like there's a new wave of earnestness and I'd be happy if I'm some small part of that.
I try to approach the film medium as a novelist and the novel medium as a filmmaker on some level. It's that question: Do we think in pictures, or do we think in language? And the novelist believes one thing, and the filmmaker believes another thing - and I'm fascinated by that balance.
Coast to Coast AM may just be the most unusual show I have ever witnessed or been a part of. You really almost have to be born into that arena, I think, in order to handle it. I was very lucky in that's the way I was guiding my own career. It was this thirst to really get to the bottom of some of these stories that kept pushing me.
Our greatest heart-treasure is a knowledge that there is in creation an individual to whom our existence is necessary - some one who is part of our life as we are part of theirs, some one in whose life we feel assured our death would leave a gap for a day or two.
I am very happy to be part of European and world cinema as a British filmmaker.
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