A Quote by Greta Garbo

it's difficult in Hollywood to be allowed to try anything. It's all a terrible compromise. There is no time for art. All that matters is what they call box office. — © Greta Garbo
it's difficult in Hollywood to be allowed to try anything. It's all a terrible compromise. There is no time for art. All that matters is what they call box office.
Give a cold shoulder to cold callers. Never invest in anything based on a phone call from someone you don't know or whose office is a post office box.
Politicians think that if matters look difficult, compromise is a good approach. Unfortunately, nature and the laws of physics cannot compromise - they are what they are.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
I think the message has already been sent to Hollywood, which is that this kid's a hard worker, he's talented, and people are coming out to see him. And when you have box-office results, Hollywood treats you different. Hollywood stands up.
When you have box-office results, Hollywood treats you different. Hollywood stands up. Once you get to the point where Hollywood sees that you create results, then the demand for you becomes higher.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
I'm very pessimistic about that, no matter how hard we may try. The Chinese market is huge, but out of last year's $2 billion box office, $1.8 billion was taken in by foreign movies, and just $200 million by our own movies, no matter how much we have learned of their techniques, or their good practices. The Hollywood movies imported into China are all good movies; does the U.S. make lousy movies? Yes, too many lousy movies, but the imports are good films, so how can they not be box office hits? They're all hits.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.
There can be no compromise on basic principles. There can be no compromise on moral issues. There can be no compromise on matters of knowledge, of truth, of rational conviction.
Hollywood seduces a person who's used to making theater, art, and having success on their own terms and then tries to squish them into a box and, eventually, throws the box out.
I'm all about the crossover. The role doesn't necessarily have to be white or Latina or black. It could be anything. But it's hard in Hollywood, because sometimes it's all about the box office. Or all about looks and things like that. It's not about the story that they have to tell.
At the end of it, box office result matters. And the weird thing is that we do not know the formula of that.
If you look at the history of the LGBTQ community, from my perspective growing up as I did in the U.K. in the '50s, there was just terrible, terrible discrimination, you know? It was extremely difficult to live your life as you should have been allowed to do.
Box office success definitely matters. I will be lying if say it does not matter.
Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.
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