A Quote by Greta Garbo
I like the sea: we understand one another. It is always yearning, sighing for something it cannot have; and so am I.
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Walter loves the sea, and I need it in some elemental way that I cannot even come close to verbalizing. I become dim and shriveled somehow at my very core if I am away from the sea too long. When I return to it I seem to fill up and overflow with it, soaking in the vast, sighing wetness of it like a parched vine in a long, soft spring rain.
When I speak of the aspiration towards the beautiful, of the ideal as the ultimate aim of art, which grows from a yearning for that ideal, I am not for a moment suggesting that art should shun the 'dirt' of the world. On the contrary! the artistic image is always a metonym, where one thing is substituted for another, the smaller for the greater. To tell of what is living, the artist uses something dead; to speak of the infinite, he shows the finite. Substitution... the infinite cannot be made into matter, but it is possible to create an illusion of the infinite: the image.
Sitting over words
Very late I have heard a kind of whispered sighing
Not far
Like a night wind in pines or like the sea in the dark
The echo of everything that has ever
Been spoken
Still spinning its one syllable
Between the earth and silence.
[People] might have a different word for the yearning of the heart and the yearning of the spirit that is looking for what I call "God," it still is the same thing. It is the heart's yearning to know the origin of its mystery. It's a heart's yearning to know the power of the divine in each of our lives. It's a heart's yearning to be connected to that.
The wind? I am the wind. The sea and the moon? I am the sea and the moon. Tears, pain, love, bird-flights? I am all of them. I dance what I am. Sin, prayer, flight, the light that never was on land or sea? I dance what I am.
Sighing restlessly, the boundless sea broke huge rollers into white cream which hissed hungrily up to the tideline.
History has often showed us the strength of the forces that are unleashed by the yearning for freedom. It moved people to overcome their fears and openly confront dictators such as in East Germany and Eastern Europe about 22 years ago... The yearning for freedom cannot be contained by walls for long. It was this yearning that brought down the Iron Curtain that divided Germany and Europe, and indeed the world, into two blocs.
I'd always wanted to do something about the Second World War, but I didn't want to do another combat film, whether it was air, land, or sea.
Honestly, I cannot understand what people mean when they talk about the freedom of the human will. I have a feeling, for instance, that I will something or other; but what relation this has with freedom I cannot understand at all. I feel that I will to light my pipe and I do it; but how can I connect this up with the idea of freedom? What is behind the act of willing to light the pipe ? Another act of willing?
Fling out, fling out, with cheer and shout, To all the winds of Our Country's Banner! Be every bar, and every star, Displayed in full and glorious manner! Blow, zephyrs, blow, keep the dear ensign flying! Blow, zephyrs, sweetly mournful, sighing, sighing, sighing!
But he cannot see a connection between the end of yearning and the end of poetry. Is that what growing up amounts to: growing out of yearning, of passion, of all intensities of the soul?
The first thing you have to do is understand what success looks like. And to understand what success looks like you have to understand the intent. If you understand that intent is to make sure the sea lines are secure, then suddenly bombing Kosovo makes sense, because you don't want Serbia to reemerge as a major power.
A singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats. In a ten-foot dinghy one can get an idea of the resources of the sea in the line of waves that is not probable to the average experience, which is never at sea in a dinghy.
As an artist, you're always going to be yearning and wanting and never satisfied. I never feel like I've really achieved something.
I cannot do it. I cannot bear it. I cannot go back to what I was here. I cannot stand at her side and watch another take her. I am not that strong or that good.
I'm naturally attracted to something I don't understand because when you try to deal with something you don't understand, it opens a door into another world.
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