A Quote by Greta Gerwig

I’m not saying that everyone needs to be celibate, but you don’t need a romance to complete a story about a woman — © Greta Gerwig
I’m not saying that everyone needs to be celibate, but you don’t need a romance to complete a story about a woman
I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end.
Life can be a fearful thing. Everyone needs someone drawing alongside, saying “You can do it. Don’t quit.” Everyone needs someone who believes in them. Everyone needs encouragement.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
To the extent that sacrifices need to be made, shouldn't the people who've made out like bandits this past generation be first in line? The problem with getting out of the slump is that we need to spend more. It's not that somebody needs to spend less. We have idle workers who have the skills and the willingness to work. We have idle factories. Dealing with this is not about saying somebody needs to suffer. It's saying that we need to be prepared to open the taps.
Saying you're through with romance is like saying you're done with living, Betty. Life is better with a little romance, you know.
Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.
[Everyone needs] a woman who'll listen, take your side, tell the truth - or not, as you need it. A woman you can count on, no matter what, and who'll love you no matter how much you screw up.
Each of the actors need to have their justification for saying something awful. You want everyone to have a positive and negative thing. Even a positive thing needs to have darkness in it. It needs to have depth.
Everyone thinks I have a coffee plantation in Sierra Leone, but I have a cashew crop project. I wrote about a woman who owns a coffee plantation! When you are talking about a woman writer coming from a hot country, there's a complete assumption that she is writing about her own life.
Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.
In a romance novel, the core story is the developing relationship between a man and a woman. The other events in the story line, though important, are secondary to that relationship.
It's really important to me not to be a snob about age division or about genre or whatever. The story needs to be what the story needs to be.
I feel like if I'm sick, I need flowers. I'm very open about saying what I need from a partner, and he needs to meet those demands.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
Everyone thinks romance is weak. Yet romance is everyone's secret dream-it's why we're alive.
You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.
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