A Quote by Greta Gerwig
I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.
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I think of L.A. as my home now, in large part because I became the entity that I am in L.A. I always say to people that my coming-of-age happened in L.A., the unraveling of the person I was pretending to be for a long time, and then finding of the person I feel like I now am.
Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.
If you break up with a girlfriend or a boyfriend, you're in this vulnerable state where you're still kind of half in the relationship with them, but you're single, and it takes a while to feel solid in yourself again.
The essence of any religion lies solely in the answer to the question: why do I exist, and what is my relationship to the infinite universe that surrounds me? It is impossible for there to be a person with no religion (i.e. without any kind of relationship to the world) as it is for there to be a person without a heart. He may not know that he has a religion, just as a person may not know that he has a heart, but it is no more possible for a person to exist without a religion than without a heart.
When you're writing something, and you're putting yourself out there, or you're performing and someone comes in and savages that, then of course it feels personal. It doesn't feel like it's just business, because there's no business - it's not like we're conducting business, this anonymous critic and I. It's just that this person is tearing me a new asshole.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
Without a bottle to hold, I feel incomplete, the way Plato says we are each born only half a circle, and we spend out lives seeking out our other half. A drink is my beloved. Without it, I am wanting; I feel half finished.
A person with faith does not question its roots, for he knows that if he subjected it to the critical examination of his intellect, he would end up without faith. The same thing can be said of any feeling. You can analyze any feeling to death, but when you do that, you end up without feeling and without a meaninful life.
I feel like I should be a really happy, bubbly person to correspond with my good fortune, but I'm more of a this-could-dry-up-any-minute person who tries to enjoy it while it lasts. And if it does dry up, I'll still have the people I love, and I'll just figure out how to pay rent.
I feel like all my faults go into making the person that I am. I like myself as a person. And I think taking any fault away would change who I am as a person.
I feel like every person who's in a long-term relationship, or who is committed to their person, goes through ups and downs.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
I just do what feels right. I think the great thing about getting to do what I do is that you can try out being a different person without having to screw up your life to do it.
I feel naked without my rings, and don't like walking out of the house without them, even if they do tear half of my sweaters and stab my friends in the eye.
When I was first going through my separation, someone said to me, 'It will take you half as long as you were in the relationship before you'll feel better.' And I wanted to knock them out cold across the table. Because, of course, I was in agony. And the last thing I wanted to think was that I was going to stay that way for a long time.
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