A Quote by Greta Gerwig
There are a million little things, but one of the best ways to get to know characters is to just put them in situations and see what they say.
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I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
I think what I often see is that people are frightened about fashion. Because it scares them or makes them feel insecure, so they just put it down. On the whole people that may say the mean things about our world I think that’s usually because they feel, in some ways, excluded or, you know, not a part of ‘the cool group’ so as a result they just mock it.
You need to see things, REALLY see them, feel them, live them, so you know what’s big and what’s little, what matters and what to put aside.
I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
When I glare, I don't see it as aggression. I have just got such passion to get wickets. I don't ever say anything, I just have a look and see if I can get their mind concentrating on other things and get them outside their bubble. I like to get them switched on, have a look and get in a bit of a battle.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
What I do is put my characters into situations that are so precarious there is no way to get out. And then I figure how to get them out.
There are a million rules for being a girl. There are a million things you have to do to get through each day. High school has things that can trip you up, ruin you, people say one thing and mean another, and you have to know all the rules, you have to know what you can and can't do.
It's amazing to me that not only can we put a probe around Saturn and get images of its moons, but our math and physics are so freaking accurate we can say, "Hey, you know what? On this date at this time if we turn Cassini that way we'll see a moon over 2 million kilometers away pass in front of another one nearly 3 million kilometers away." Every morning, I have a 50/50 chance of finding my keys. That kinda puts things in perspective.
There's a sense you get from the Coens' work, like 'No Country for Old Men,' where you put these characters in situations, and you just let this painful amount of time take place. Part of the tension is just how long it takes to get out of that scene.
In 'Me Before You,' the two characters popped into my head fully formed, which is really strange and unusual. Other books, I sit on them for two or three months. I have a whole routine: I buy a nice book; I hand-write all their characteristics. I put them through little tests just to see how they would react to things.
The biggest misconception is that I only write about shitty people. Or that I'm trying to be shocking. I just think people are super weird, so I like to write characters that get addicted to things, lose their minds, hurt others, put themselves in bad situations. I'm just more interested in that.
I think television is about the characters you want to see again, and so you want to invite these people into your home. And certainly, seeing them get into bad situations and then watching them have to get themselves out, that's always super satisfying.
When I get up and work out, I'm working out just as much for my girls as I am for me, because I want them to see a mother who loves them dearly, who invests in them, but who also invests in herself. It's just as much about letting them know as young women that it is okay to put yourself a little higher on your priority list.
Men need to be strong, but not bullies. They need to know how to not get emotionally lost in situations, but not be cold and emotionless. They need to know the full variety of emotions as well as thinking and acting. Not just the most limited ways of doing things.
A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.
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