A Quote by Greta Gerwig
I think in general with micro-budget films right now, it's rough. The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
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The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
I think for female filmmakers a big issue is making their second and third films.
It didn't get into Sundance although I showed a rough cut which is a mistake to all filmmakers out there.
The Danish filmmakers are a unique breed of filmmakers, with the Dogme films and Lars von Trier.
The right kind of fear will keep us from doing wrong.
The rough is only mental - it is rough only because your think it is.
I think independent filmmakers, documentary filmmakers - they are journalists.
I know many filmmakers, and shooting in IMAX is challenging. Filmmakers love the vividness and power of those big images.
It's pretty rough in South Africa. It's a rough culture. Imagine rough - well, it's rougher than that.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
While it is increasingly possible for filmmakers to find an audience on their own (something that is particularly popular amongst documentary filmmakers) I'm still a believer in the "specialist". By this I mean, I back myself as a filmmaker, but I leave the marketing and distribution of my films to the experts.
A lot of the surreal filmmakers, like David Lynch, Alejandro Jodorowsky, or countless other underground filmmakers... Their sense of explosive images have always dominated their films. It's a way to shock the senses, to make them open themselves.
There's a look of mischief in his eyes. 'Smilla. Why is it that such an elegant and petite girl like you has such a rough voice.' I'm sorry,' I say, 'if I give you the impression that it is only my mouth that's rough. I do my best to be rough all over.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
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