A Quote by Greta Gerwig
When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
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We've always had the sensibility that you work on the set, and you structure it, much like a play, where once you've got the lines down and blocking right, you freeze it, and then you go out and do what you're doing night after night. You want to structure something that has form and that builds the right dynamic from start to finish.
I had, before I went to college, I had taken a few years off after high school and really had, I guess in those days, I had no intentions of going to college.
One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.
But he had been in love once, that he knew. Once and only once, and a long time ago. And it had changed him forever. Perfect love did that to a person and this had been perfect.
How did it happen that now he could see everything so clearly. Something had given him leave to live in the present. Not once in his entire life had he come to rest in the quiet center of himself but had forever cast himself from some dark past he could not remember to a future that did not exist. Not once had he been present for his life. So his life had passed like a dream. Is it possible for people to miss their lives the way one can miss a plane?
And the prince who had once been a bear pulled close the girl who had once had no name, and kissed her.
Once I was in my last year of law school, I started doing plays, as I said, without taking the bar. And I got hooked. I did a play called 'Marat/Sade', and I never had so much fun in my life.
I was a 2-year-old baby on something, but it's not like I had lines. But I actually had my first lines when I was 4. And then I finished school, and I went to USC for their BFA program in acting.
I read once that the ancient Egyptians had fifty words for sand & the Eskimos had a hundred words for snow. I wish I had a thousand words for love, but all that comes to mind is the way you move against me while you sleep & there are no words for that.
I had never been a comic book person before, really, because I had no access to them. Once I had access, I thought that these are just another avenue for telling stories and delving into the imagination.
I do think that once you remove the limitations of the page, once you turn text transitive, meaning it can be clicked away from, the forward movement of text can be interrupted. But I don't think this is just a function of technology. It's also a function of cultural preference.
Once, this had been the life I’d wanted. Even chosen. Now, though, I couldn’t believe that there had been a time when this kind of monotony and silence, this most narrow of existences, had been preferable. Then again, once, I’d never known anything else.
The iron did not remember the blood it had once moved within, the phosphorous had forgot the savage brain.
Maps were so much easier than words. Words had a way of getting muddled, or meaning two things at once.
I remember looking at James Joyce's journals. It was just amazing - it looked like ants had written on the page. So much writing on one page, every corner of the page was filled. Some of the lines were underlined in yellow or blue or red. A lot of color, intense writing.
It was like that class at school where the teacher talks about Realization, about how you could realize something big in a commonplace thing. The example he gave--and the liar said it really happened--was that once while drinking orange juice, he'd realized he would be dead someday. He wondered if we, his students, had had similar 'realizations.' Is he kidding? I thought. Once I cashed a paycheck and I realized it wasn't enough. Once I had food poisoning, and realized I was trapped inside my body.
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