A Quote by Greta Gerwig

I was part of a hip-hop group called Fly Style. I was one of two white girls, and I was part of the younger company, which was called Touch of Style. And it was amazing. It gave me a different perception of dance and beauty because the other girls were mostly African-American and Latina.
Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life.
I've been able to be a part of every movement in music over the last several decades. The only one that I haven't been involved in so much is hip-hop, which I chose not to be involved in because it felt like I would be what they called "perpetrating." It felt like hip-hop was so much of its own culture and that I was not part of that culture.
Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
The dancing style in Bollywood has changed a lot after 2000, mainly because of the dance-based reality TV shows. Everyone knows about the varied dance styles nowadays. The actors are also quick to pick up dance forms such as locking, popping, breaking and hip-hop. So, this factor has changed the industry's dancing style as a whole.
Bounce is a primarily call-and-response style of hip-hop over a 'Trigger Man' beat. It's a New Orleans-created hip-hop style that developed in the late '80s, early '90s.
I grew up in L.A. in a school that was diverse, but it was not really integrated, so I didn't ever fully fit in with the black girls or the white girls or the Latina girls.
The thing that most distresses me is whenever I see things over sexualized, I worry about young girls. Some of the fall out of the feminist movement is that it made younger and younger girls more sexually available. It's part of the philosophy, be your own person and be free. But, girls are so over sexualized in this culture.
In stating as fully as I could how things really were, it was often very difficult and I wrote awkwardly and the awkwardness is what they called my style. All mistakes and awkwardness are easy to see, and they called it style.
As far as people whose style interests me, I'd say Grace Kelly, Gwen, Spice Girls, Victoria Beckham, and that nanny called Fran.
I have always tried to avoid talking to pretty girls, because pretty girls have a vicious effect on me in which every part of my brain is shut down except for the part that says unbelievably stupid things and the part that is aware that I am saying unbelievably stupid things.
Start dancing immediately. Run to the closest dance studio, and study the style of dance of the music you love. If you love hip-hop music, go to a hip-hop class. If you love salsa, take a salsa class. It will become infectious and you'll keep going back.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
In the nineteenth century, in part because a ton of American men moved west, in part because of the Civil War, and in part because of trepidation about marriage, which was then a very confining institution, there was a big population of women - mostly middle-class white women on the East Coast - who didn't marry.
My style advice to other girls is to be experimental but always have a 'home base' and stick with your comfort style.
I try to get the hip-hop aesthetic, most times without an MC. I don't use a rapper or a DJ to give it the hip-hop style; it's strictly the band that makes that music, which is a lot harder to do.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
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