A Quote by Greta Salpeter

My main influences are pop and folk music - Bob Lind, Neil Young, Joni Mitchell, Bob Dylan, the Motown collection, The Zombies, Elliott Smith, and a ton of 70's AM radio hits. I love powerpop too.
I was really lost for a while in my teens. I was angry. But when I found music - Bob Dylan, Neil Young, Joni Mitchell - it was a new discovery. It was a door to this other world where I wanted to be.
Judy Garland, Doris Day, and Gene Kelly were all big influences growing up from all of the films. I'm also a huge folk music fan - Joni Mitchell, Joan Baez, and Bob Dylan have influenced a lot of how music can inspire change in our world.
I was pretty strict in high school about who I would listen to. Musicians like Neil Young, Cat Stevens, Bob Dylan, Joni Mitchell... who were, in my opinion, great writers. The music mattered, but it held hands with the lyrics, and the personality was, overall, unsullied.
Jack Johnson, John Mayer, Neil Young and Bob Dylan are my main influences.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
It's like there's the rest of the world, and then there's America. Part of the reason I would really love continue to making music over here because so much of American music has inspired me, whether it's Jeff Buckley, Joni Mitchell, Bob Dylan, Bruce Springsteen.
We soaked up everything from Beethoven to Chopin to Jimi Hendrix to Joni Mitchell and Bob Dylan.
If they made a movie about Bob Dylan, I would love to play a young Bob Dylan; I mean, I've got the wild hair.
For someone like me, who has grown up with Joni Mitchell and Bob Dylan and Leonard Cohen, it's hard not to invest a lot of myself in what I do.
[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
I think Alison Krauss is one of the most amazing singers ever. As a songwriter - this is gonna sound cheesy - I love Randy Newman. And my mom passed on a love of Bob Dylan and Joni Mitchell. At one point I was so into the Indigo Girls, just like I was so into the Dixie Chicks, those female harmonies.
I do own CDs by Neil Young, Leonard Cohen, and Joni Mitchell, but I don't think of them as being major influences on my writing.
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