A Quote by Greta Scacchi

With a theatre audience there's always the additional sense of a sustained challenge of which I'm acutely aware and for which you need to have the tools ready - your voice, physicality, brain.
Even if you overcome a tremendous challenge and feel the personal victory, it's simply not powerful enough. It may activate your left brain, which says, 'I have achieved,' but it will not activate your more social right brain, which desperately desires to say, 'Look, Ma, I did it!'
Even if you overcome a tremendous challenge and feel the personal victory, it's simply not powerful enough. It may activate your left brain, which says, 'I have achieved,' but it will not activate your more social right brain, which desperately desires to say, 'Look, Ma, I did it!
When you try to translate any kind of real-life problem into a neat logical form, you're almost always simplifying it. We need a kind of blend - we need to use not just tools of logic, which are important and valuable - I'm not denying that, but also tools of judgement, and of inductive and abductive reasoning which can also inform.
I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.
I like to do projects that challenge me, and hopefully in turn challenge the audience, or open your eyes to something you're not aware of.
With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.
I think it's the tragedy of our time that we're not aware of the affect of the manner in which we've adopted tools. Those tools have become who we are.
I've always had a big voice, but I'm very aware of when you need to belt or go all out like that - when it's necessary and plot driven - as opposed to just screaming to scream, which I hate.
There is a sense of purity in theatre which always attracts me. Deep down, I feel I am more of an artist than a commodity, which Bollywood turns you into. I want to strike a balance.
Writing in another language gives me an additional freedom, an additional way of thinking. It's a challenge, but I like the challenge.
I've always been a sad person. I'm a happy person too, but it's a thing in my brain or my spirit or something, I'm just sad and really acutely aware of mortality and loss.
We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX film, but also seeing things in a way that they won't see on television or in feature films.
When you dance intensely, you are really aware of your physicality, and that's always great to have as a tool, when you're an actress.
That first plunge under the shore break on a chilly fall morning. It forces a sound out of one's body that is kind of a whoo-ahhh! - shocking and refreshing all at once. You become acutely aware of your body and your surroundings, which is helpful when you're about to paddle out to sea.
My voice is the only material thing in which I can still reveal myself. Go ahead and cut off the hand or the testicles of a voice. Try to find the head of a voice, the orifice through which it passes, or even the breasts to which you can attach the clips of your electrodes. Nothing. Resonant tooth.
We’re now recognizing that the mind, which is an energetic field of thought which you can read with EEG wires on your brain or with a new process called magnetoencephalography (MEG), which reads the field without even touching the body. So it basically says that when you’re processing with your brain, you’re broadcasting fields.
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