A Quote by Gretchen Mol
I think that's the best way to see things, especially this kind of play where there's no pyrotechnics, it's literally just people talking.
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You see sort of the difference in the way that Marco Rubio was talking in that kind of way. That kind of [Donald] Trump imitating way, which is designed to connect with certain people who want to see that from their political candidates as opposed to kind of speaking in the measured tones that we`re used to from Republican politicians who are trying to become president.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
I love what I do and I think I have one of the best jobs out there; I get paid to do what I love. So I can't complain about it. But it's nice to see younger girls - and boys - pick up the game of golf. It's one of the sports that you can play with literally anybody. They don't have to be good, or you can be great - it just depends. You can play with your whole family.
Heinrich Zimmerhe had a little saying : The best things cant be told - because they are transcendent, inexpressible truths. The second best are misunderstood : myths, which are metaphoric attempts to point to the way toward the first. And the third best have to do with history, science, biography, and so on. The only kind of talking that can be understood is this last kind.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
And as a result, I guess I'm just kind of a rubberneck. I'm kind of a - someone who likes to see things and likes to see these events and talk to the people who make them happen. But I don't think journalists are as important as the people they cover.
I did play a dentist in Waiting for Guffman. I wrote the speech at the conference. In the original script, when it got to that scene, it was, 'Thank you very much. Good night.' Literally. I just thought, 'He keeps talking about this speech. The keynote address is the big thing in his life and this is too important to say, "Thank you. Good night." I think we have to see and hear him doing what he does.' So I got together with my dentist and we worked through a few things.
There's also something that is often mistaken for enlightenment which is a kind of insanity. Often, people will have some kind of weird experience which is quite abnormal and think, "Oh my God, that's it, I understand everything" because they start seeing things in a very weird way and think that's how enlightened people see things as well.
To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.
I think as far as the Miami one - I don't speak for the other two - but as far as the Miami one goes, I just think that there is a level of like glamour to it and you see sexy people, things happening to the rich people. It kind of takes you to a different world. I think that is kind of part of the success.
People play games seriously. People host tournaments. People watch other people play and listen to broadcasters talking about it. The kind of entire ecosystem we see around other sports and forms of entertainment has formed around games as well.
One of the big things that I have realised since styling people is was how many women, size 14 and above, think that covering up in lots of fabric is the best way to dress. I literally could not agree less.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
We all have our own takes on things. To being yourself. The abstract, the whole thing that I play with, seems to result in seeing through your lenses, and once you express how you see things to others, you start to see there are similarities between all people. It's kind of like, no matter how far you go, you're still where you started, in a way.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
Culture isn't all just about what can be tweaked and twitched in the simplest possible way. As people move around, they literally don't see what's around them, because they're wedded to earworms that are burrowing into their heads endlessly in a kind of negotiation with these tiny screens.
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