A Quote by Gretchen Mol

Donnie Brasco was great, but the energy on the set made it kinda hard to get in there and have an opinion. — © Gretchen Mol
Donnie Brasco was great, but the energy on the set made it kinda hard to get in there and have an opinion.
I left a lot of personal stuff out of 'Donnie Brasco.'
I was Donnie Brasco, the Mafia guy, in character. But in my head, I was a special agent. I never lost sight of who I was or why I was there.
Although it's depressing to admit this, more than a handful of post-'Donnie Brasco' Al Pacino roles would have been better served by Steve Buscemi.
'Donnie Brasco' was 85 percent on the money. The only thing that they slanted was my feelings for Lefty and Sonny', and this idea that I didn't want to go through with seeing them in jail. I was never swayed. There was no conflict.
I have a particular love of an actor that I did work with, oddly, in 'Donnie Brasco,' who has since become a wonderful talent: Paul Giamatti. I would love to do a whole movie with Paul Giamatti.
You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.
I love 'Donnie Brasco' and 'Days of Thunder,' so after I did 'The Skulls,' I was like, 'I want to be either an undercover cop, or I want to race cars!' Universal came to me with a newspaper article about street racing in L.A., and I was like, 'Are you kidding me? I grew up doing that right off Peoria in Sun Valley.' They asked if I wanted to do it.
It's hard to get material. I haven't made a movie before. I have two episodes of television that I think have come in really great, but it's really hard to get directing work.
I loved working on 'Donnie Darko.' I learned a lot from the cast, Jake Gyllenhaal and the producers. I love doing what I do because I get to meet so many great people.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
We are always manifesting. Each thought we have creates an energy flow within and around our physical being. This energy attracts its likeness. So if you're thinking, 'I suck,' then your energy kinda, well, sucks - and you attract sucky experiences.
New York is just an energy. There's a beauty to the way it's laid out: the architecture, the way the planning is. It's huge, but you really do get to experience more than your own existence here. It's kinda hard to isolate yourself from different types of people, different types of ideas or communities.
I have a pile of scripts at home that I love. Some of them are hard to get made. We have to give up stuff. It's hard to get movies made.
I'd much rather insult people and make 'em angry. Donnie Darko's very controversial. Not all of my friends like it. Honestly, it's almost become a test for me. If somebody says they don't like Donnie Darko, I think, "Oh, I don't know you as well as I thought I did."
The stock market crashed in October 1929. But that was not the cause of what caused the Great Depression. It was, in my opinion, a very minor element of it. What happened was that from 1929 to 1933 you had a major contraction which, in my opinion, was caused primarily by the failure of the Federal Reserve System, to follow the course of action for which it was set up. It was set up to prevent exactly what happened from 1929 to 1933. But instead of preventing it, they facilitated it.
It's hard to just kinda get some privacy and do your own thing.
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