A Quote by Gretchen Parlato

Having artist parents, they knew the importance of exposing me and my sister to all types of music and art and making art part of our every day. it was just always there.
There's obviously always danger in making music or art for art's sake. Even as Christians we can be guilty of that, being more about the art than the Artist who gave us this gift.
Having music in the schools, having art in the schools, having art in your life, should not be heroic. It should be every day. Having things we've paid for years ago and that we depend on kept up - our schools, our political institutions - should not be a heroic act. It should be part of our daily citizenship. The idea that we had to do this incredibly exhausting, two-year-long, very expensive, labor intensive, community-based action, is, one the one hand unbelievably great, and, on the other hand, really depressing.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
My whole family is very art-based. My sister runs a gallery, my other sister works for PACE in New York, my other sister is a sculptor. I'd say the ending one is me because that's the artist and the artist feels a lot.
I love art. My sister is an artist and my mother is a painter, so it is very much in the family. I haven't ever wanted to be a fine artist myself - my sister robbed me of my artistic talent, I think.
My parents always knew that I loved music. They just didn't think I'd try to make it a career. They thought I'd be a painter or an art teacher or something like that.
I had my dysfunctions, but music gave me peace and joy. I never felt in tune with the world. My parents always saw me as an artist, and that greatly influenced me. My art was my autonomy.
When I was just getting started making my own music, my dad said, "You should think about art, but also anti-art and non-art."
Music has always been a part of me and art in general. I love visual art as well.
I think that the first part of the art is making the art, but when art really becomes art is when it belongs to somebody else.
I think it's a tribute to the artistic importance of hip-hop culture and what hip-hop has brought into music and fashion and jewelry that it is being adapted or imitated or is inspiring variations or new types of art or new types of music.
I realized that the only possible response was to go to my wonderful local café, Maison Bertaux, check everyone was well, eat a little cake and then make art. To me, making art, and in particular public art, is always an assertion of our humanity and our strength.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
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