A Quote by Gretchen Rubin

What I found is, really, you always have to begin by nailing what is true about you, because something that works very well for someone else might not work for you at all. — © Gretchen Rubin
What I found is, really, you always have to begin by nailing what is true about you, because something that works very well for someone else might not work for you at all.
We also have a team that works really well together, that knows whose turn it is to pick up what someone else can't continue-the five of us work really well together and if someone says, "My plate is too full, I can't handle this," then someone else will always grab onto it.
Just be true to you. What works for me might not work for someone else and what works for someone else might not work for me.
As a child, I just found a lot of things quite difficult. I found school quite overwhelming. There were just too many people. I wish I could have gone to a school with about five people. And if I saw someone bullying someone else, for example - I don't mean because I'm a perfect person, because I'm really not - but I'd always be, 'Well, why?'
Here's something else you might as well learn now: If you want something, if you take it for your own, you'll always be taking it from someone else. That's a rule too. And something must die so that others can live.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
You know, songs often have a very coloured past. They might have something about them but it still doesn't work, so someone else adds a bit, and someone else adds a bit so perhaps one day I'll know its full history.
I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.
Certainly if it's something you created, like Gargoyles was for me... on the one hand it becomes you and the other writers as well. It's not like it's a one man band by any means, but at the same time when something's really working, when you've got a group of characters that really are clicking and humming, they begin to tell you what happens next. It just all begins to feel right and that was true about Gargoyles. Not true about every show I ever worked on, but it was definitely true about Gargoyles.
I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.
I care about doing the work as best as I can do, and that it should go on reaching people. It's not about fame and it's not about me. It's about creating something that might allow someone else to create something.
If everybody else your age is doing something very different than what you're doing, there's always going to be someone saying to you you might not succeed with it, you might not make any money with that... there's always going to be some type of obstacle in the way. All of those things will go away if you really focus on what makes you happy.
We have to consider culture respectfully, but on the other hand, it's dangerous. When we begin talking about cultures, we begin forgetting about individuals. Every individual is unique. Mankind has common feelings and ideas, but we might have some other connections, too. For example, I might be very close to someone in New York in some way. Because of the music I like or how I like to watch soccer games, or because I like to read Russian classics.
I think socialism is really about recognizing that there are limits to what the market can do. The market is very useful; at times it works very well, but it doesn't always work.
I always pull from something I know really well. Because I would never want to write about something that I hadn't experienced or that I hadn't witnessed happen to somebody else because it wouldn't be genuine.
You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.
Well, your whole life is like a checkerboard and there's a sense that you get, especially looking back on it, that you begin to realize and gain awareness that there's something else moving all of these pieces around in your life, and that was really true for me right from the very beginning.
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