A Quote by Gretchen Rubin

Never label anything 'Miscellaneous.' — © Gretchen Rubin
Never label anything 'Miscellaneous.'
I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.
The label doesn't do anything but put your record in the store, that's all they do. And tell you, you don't have a single... and tell you, it's not gonna sell... that's what the label does.
I've never really turned to my dad for anything, I think out of fear of the label of nepotism.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
There are old-money Asians that would never be caught dead with a Chanel handbag or sporting anything that has a label it.
I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.
I never fit into any box, even in my boxing style, and when you try to put a label on me it's like I have to disprove the label. I'm weird like that.
My record label, which is a huge record label who represents massive, massive stars - they've never done anything like this before, and they were so excited about this idea of an animated character which is singing legitimate music. It's not a comedy record, it's a legitimate record. And they really jumped on board. So, we've got our Facebook page up, we'll be jumping on Twitter very soon, and sort of be creating Haley outside of American Dad.
I have never made a cent off a record in my life. I have never recouped enough, and I never sold enough. When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.
My ultimate goal was to make the music that I wanted to make, and give shows. I was never going to get a major label deal - I never wanted a major label deal - so I was really free to express myself.
I love the creation process [of music] of it and then sharing it, so I think that was the shift. I never thought I was going to be on a label in general, I was like 'Oh, I wouldn't do that,' and then we ended up on the same label basically.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
It must never be lost sight of what observation is for. It is not for the sake of piling up miscellaneous information or curious facts, but for the sake of saving life and increasing health and comfort
I think the people at my record label know I'm a Christian and again, I've been really blessed that I've never had to get into a head-butt war over moral standards or anything like that.
My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.
The head of a record label sets up structures, but he also defines the sound of the label, which is to describe what is desirable, what fits and what is quality for that label and then to create an environment where that sound can thrive.
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