A Quote by Gretchen Wilson

I got to where I couldn't listen to country radio. Country music is supposed to have steel and fiddle. When I hear country music, it should be country. — © Gretchen Wilson
I got to where I couldn't listen to country radio. Country music is supposed to have steel and fiddle. When I hear country music, it should be country.
There's just a lot of people that hold on to what country means to them. I love fiddle, I love steel, but I don't think it should be a rule that it has to be used in every song. I think that's not what defines or makes country music.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
I've never shied away from country. 'Karma Chameleon' verges on country. Reggae and country are very closely linked. If you go to Jamaica, you hear a lot of country music. There's a correlation.
When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.
I have so much respect for the genre of country music and for all the greats that have been a part of it. I'm a country singer, I'm a country fan, and I'm a student of country music.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.
The music that I play is much more accepted in America. Do you know what I mean? Americans recognize and not necessarily country music. I go to a lot of places in Canada and they go "I don't like country music" and they think I'm a country musician. When I am a country musician but not a country musician like they think of.
The more country that my music gets, the less it fits into the country world today. It's almost like there needs to be two genres, modern country and... country?
Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
Country music has changed tremendously, so what now is considered country was not considered country at that time. We were doing stuff that probably could have been called country music today, but would certainly have not have fit in at that time.
I think The Eagles single-handedly destroyed country music - well, now, country music has been killed by rap crossovers, so it's hard to say. Maybe we can just agree that money killed country music.
I grew up in Nashville, born and raised. I'm a country girl, and I love country music. I had a dream I was going to be the first black female country music star, but then that wasn't the case.
You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
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