A Quote by Gretel Ehrlich

To trace the history of a river . . . is to trace the history of the soul, the history of the mind descending and arising in the body. — © Gretel Ehrlich
To trace the history of a river . . . is to trace the history of the soul, the history of the mind descending and arising in the body.
To trace the history of a river or a raindrop is also to trace the history of the soul, the history of the mind descending and arising in the body. In both, we constantly seek and stumble upon divinity, which like feeding the lake, and the spring becoming a waterfall, feeds, spills, falls, and feeds itself all over again.
You frantically want to make a mark on the history of humanity? You, King of the Fools! In the very distant future, there shall be no history; there shall remain not even a single trace of anything!
This famous quote hangs over my desk, as well as the desks of many people with the hubris and optimism to believe they can change the world for the better. It seems implausible, yet time and again history has proven it true. Virtually every major shift in cultural history can trace its origins to the work of a small group, often gathered around an innovative thinker or body of thought.
I believe the earth gets warmer, and I also believe the earth gets cooler, and I think history points out that it does that and that the idea that man through the production of CO2 which is a trace gas in the atmosphere and the manmade part of that trace gas is itself a trace gas is somehow responsible for climate change is, I think, just patently absurd when you consider all of the other factors.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.
Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.
You can trace the entire history of Britain by looking at gardens.
We can trace almost all the disasters of English history to the influence of Wales.
All of history misses out on the history of the soul. Human passions are so often not included in history.
I've been writing American history for a long time, and I've had a hard time finding strong, interesting female characters. There are women, of course, in American history, but they're hard to write about because they don't leave much of a historical trace, and they're not usually involved in high-profile public events.
Happiness, whether in business or private life, leaves little trace in history.
So very difficult a matter is it to trace and find out the truth of anything by history.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
You can go through comic strips alone and study the common man. You can trace our history.
Racial history is therefore natural history and the mysticism of the soul at one and the same time; but the history of the religion of the blood, conversely, is the great world story of the rise and downfall of peoples, their heroes and thinkers, their inventors and artists.
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