A Quote by Griffin Dunne
When you're directing, I feel like I'm playing all the parts, without the make-up. I really get into the heads of the characters.
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A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
I feel like I'm attracted to characters who have one foot firmly planted on the ground. And their heads up in the clouds somewhere. Practical dreamers. They try to impress you that they've got this whole thing figured out, but there's more going on inside their heads than you might imagine.
Ironically, I must admit that I have an easier time (myself) playing games that are really simple and non-realistic - like the games I grew up with in the 80's - I tend to get lost and confused when the games get too complex! But I enjoy watching people who are good at playing games. I really enjoy playing games like Guitar Hero, where you feel like you're a great musician even if you're not.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
I feel like I'll be defined more so by ... when I get a chance to play roles where I'm the father/husband. I'd like to continue with the action stuff, but when I get to play the father/husband role, I think that will be the time where I'm playing who I really am. I look forward to playing those kind of heroic characters, the types that are usually associated with Denzel Washington.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
I prefer playing up front, really, because I feel like if I make the right run, or if I get the ball at the right time, I can just be one-on-one with the defender, and then if I manage to get past the centre-back, it's one-on-one with the 'keeper.
I really, really love children and I think probably among children is when I feel mostly berated. It's not like I feel like oh, there's some children here. I have to tone it down. I go nuts with children especially when I ain't got none. So when I'm round my mates' children, I jest them kids up first. I swear at them, I get more worked up, I say crazy stuff to them, fill their heads with nonsense and then I leave them.
As someone who is non-binary gender identifying, I feel a particular responsibility to portray members of my community on stage and on screen, not only as fully fleshed-out characters who are integral to the plot, but as characters whose gender identity is just one of many parts that make up the whole person.
There is a lot of instinct that comes with playing hockey and playing a number of games and playing all the way up; you kind of get a feel for what's gonna happen and make plays off that.
I've done all the other kind of production work on films than directing really badly. That is the truth. It's made me a better director because I feel like directing is the only thing I can really do.
I had a niche. And my niche was that I was brown. So it's like, 'Great, I get to go up for all these 'brown parts.'' I call them 'brown parts' because that's what they are. That's not to be resentful, because I loved playing those parts - I got to meet so many cool actors.
I enjoy playing a quintessential antihero. There's something therapeutic about playing such characters. I know it sounds corny but I feel like I learn about myself when I play that characters.
When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
I think that doing comedy and playing Dwight is a service. Not to get grandiose about it, but I have a talent for playing oddball characters and I can make people laugh and that can help bring families together and people will really enjoy it and it puts a smile on their face and I think that is a really great thing.
When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making.
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