A Quote by Grigor Dimitrov

I get that I can come across as a show-off, but that is part of who I am. — © Grigor Dimitrov
I get that I can come across as a show-off, but that is part of who I am.
I'm not a standup. I didn't start off as a writer, I learned to write through improvisation, and so that's the part of the show that can most surprise me. The written part of the show, I know I can get wrong. You can't really get the interview "wrong."
For me, the audition process always starts with a few questions: Who am I? What am I trying to get across? Why am I trying to get that across? Where am I emotionally? It's a lot to do with my foundation, and I go from there.
It's a privilege to be a part of a show that provides a platform for promising artistes across the nation who come with a rare talents.
As actors, for the most part, there's that neuroses most of us possess where, in a day of watching, this character get killed off of this show, and that character get killed off of that show - one never knows.
I might come across like kind of a show-off onstage and stuff, but I like collaborating with people.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.
At times, I come across as crude or crass, that irritates you when I come across like a Neanderthal or a babbling idiot at times. But I like to be that person. I like to show you all that person because that's who you come to see.
It's a funny thing because it's what the people say when they come across a ghost situation is that it does freak you out, but then you do get over it - for some reason you're not scared to come across it again.
A lot of people relate my success now with The Voice, and it has nothing to do with that. I've definitely worked my ass off for a year afterwards trying to get that off of my forehead. If anything, it's actually harder to get labels to look at you when you come off a show like that, and it's harder for people to look at you like a real artist.
Being a part of the National Football League for so long, I've come across so many trainers and equipment managers who've allowed me to be who I am today.
I have made lots of mistakes on and off the pitch, and you can only learn from them. If I can get that across, then hopefully I am doing something right.
I am fortunate that I get sent scripts and get to meet people I would never have met had I not done 'Harry Potter.' But I feel I had to come out of that show and prove that I am not a one trick pony and can do other stuff.
Ever since I found out I got the part on 'Gilmore Girls,' my life has been changing in so many ways. It seems as though all we get is good news. I'm just so grateful to be a part of it. It's a wholesome show with an edge. I have no idea how we pull it off.
You come off of this screaming audience of many, many thousands of people. I used to find it very weird. You have two choices. Either you can stay and pump flesh with hundreds of people after the show, which really gets old, or you can come off stage, get into the car, and go straight out the back and away, back to the hotel.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
This site uses cookies to ensure you get the best experience. More info...
Got it!