A Quote by Grimes

If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.
I was born in Den Bosch, where the painter Hieronymus Bosch named himself after. And so I've always been very fond of this painter who lived and worked in the 15th century.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
When the International Trade Centre, the agency I head, works with German electronics giant Bosch to help Kenyan food processing companies boost their productivity and export competitiveness, we may well be creating future customers for Bosch washing machines.
In 1995, I sold the rights to Harry Bosch to Paramount. They had several screenplays written, but a movie never happened. Harry Bosch went on the shelf, and I had to wait 15 years to get him back.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
People like the Bosch books because they like Harry Bosch, not because the plots are fantastic.
My office looks very empty compared with my house. The house is completely crammed full with things that Patrick and I love. It's very eclectic. There are things that have no value but which we like. We have a lot of Belgian painters; we have international painters. We have nice things; we have ugly things. I don't want that things are predictable.
By the time I discovered Chicano painters in the mid-'80s, I recognized that these guys were really world-class painters, but they weren't getting any attention, which was good in one sense in that I could get their work for cheaper!
During the Renaissance, women were not allowed to attend art school. Everyone asks, where are the great women painters of the Renaissance?
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
Abstract and conceptual painters face different demons than representational painters, but neither group has a monopoly on either authenticity or originality.
To be able to do a song with Kanye West and then a video with Hype Williams who directed the video, that's a highlight of any artist's' career.
I always tell the younger filmmakers and students: Do it like the painters used to...Study they old masters. Enrich your palette. Expand the canvas. There's always so much more to learn.
I dream in colour, and its always very surreal. My dream world is complete Hieronymus Bosch and Dali. I love it, I look forward to it every night
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