A Quote by Grimes
It's important for people not to feel like doing things that are immature, stuff you have to try out when you're a teenager, is bad, per se. Demonizing it is one of the reasons it becomes such an issue.
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When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.
I just feel like history is very much alive and important and I don't, you know, I can't worry about whether people get it or not, per se.
I don't think I'm ugly per se, but on bad days, I have been told that I look like the monster from 'The Hills Have Eyes.' That was extremely confidence-shattering, so I try to take care of myself.
You can fill up your time with anything that you want. And stuff per se is not bad - technology is awesome; if you use it for the right the reason, it's great.
Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
I don't feel like I thrive doing livestream comedy, per se. It really triggers a lot of little neuroses that I have about performing and it's not conducive to me to do a good job.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
Well, I haven't been doing that much work with other people per se. I started doing more of that.
I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.
I don't think it's an ethical or moral issue, or even that people are stupid, but I do feel like as a culture things are out of balance, perverted, and inverted. Things that are ridiculous are worshipped, and things that are important are ridiculed. I think that's something worth thinking about.
I like raconteurs; I like conversation. I liked the 'Tonight Show' when it was 90 minutes, I like when people aren't plugging things per se, and they're just in the moment being interesting.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
Being a singer, being a performer, you have tricks, somehow, to calm yourself when things feel a little overwhelming. I don't do breathing exercises, per se, but I definitely have to have a sort of internal word with myself before things got completely out of hand and I fainted on the floor.
I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
While I don't like violent programs per se, I do like good storytelling, which made me a fan of shows like Breaking Bad and American Horror Story.
I'd like to do a lot of different stuff. I think it's important as a creative person to keep challenging yourself and keep doing new stuff. If you end up trying to repeat yourself it's death. It just becomes boring and takes the passion out of it. You gotta find stories and characters that you really want to hang out with.
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