A Quote by Grimes
I have an intense desire to constantly make music, and I don't feel that way about anything else.
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What inspires me is the desire to be on. The desire to be successful. The desire to reach people through my music and make a living off it and never have to do anything else. Being able to do music full time and travel the world and share this music with everybody. That's the dream.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
The reason I make music is so that I can influence people and inspire people, but I also want to make music that I feel happy about and that I feel is good. The challenge, which is why it's worth keeping going, is to constantly strive to figure out where the meeting place is.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
I'm still not really planning on pursuing a music career. I like to make music because it's fun to do and it makes me feel good, but I have no desire to be a huge pop singer or anything like that. I just like to make it.
To be constantly without desire is the way to have a vision of the mystery of heaven and earth. For constantly to have desire is the means by which their limitations are seen.
One of the big misconceptions is that affairs or trysts are flings about sex. And sometimes they are, but much more often they are about desire. And that is very different. The desire to feel special, to feel seen, to feel appreciated, to be laughed at or with. The desire to be desired. That does not manifest in a sexual act per se. Affairs make you feel alive. Alchemy means it's not about the actual sex, but the sexuality, the energy, the aura. It's the imagination and anticipation of it as much or instead of the actual experience of it.
I like to make music because it's fun to do and it makes me feel good, but I have no desire to be a huge pop singer or anything like that. I just like to make it.
The best way to experience power (or anything) is to give it away. Make someone else powerful and you become twice as powerful as you were before. Make someone else loved and you become twice as loved. Make someone else feel good and you feel twice as good. It doesn't get any better than this. And it's all so...simple.
Affairs are loaded with romanticism, morality, mythology, and intense emotions. They're not really about sex, but about pain and fear and the desire to feel alive. They're also about betrayal.
If you look at somebody like Bach, he didn't need collaborators to write for keyboards, cello, violin or anything else. I feel the same way about my music. The times that I have worked with other people, I've been very unhappy with the results.
They [the people under you] may desire help, but more than anything else they desire sympathy. Don't make the mistake of turning such men down with the statement that you have troubles of your own.
Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel.
I feel the most natural thing is for music to come that way because it's sort of like poetry. Though I do think with poets that I like, like Charles Olson or Ezra Pound, they were rewriting constantly, until the poem becomes a diamond.But with music I don't really feel that way.
I do feel like my music, in some weird way, is probably better suited for cinema than for anything else - I can't really explain, other than I think that music has been mostly inspired often by soundtracks.
When I can make music and don't have to think about anyone else's ideas or voice - when I'm making something that only I can make - it feels good. It's nice when you can find a sound that only you can make. No one else can make 'Cosmogramma.' No one else can make 'Until the Quiet Comes.'
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