A Quote by Grimes

I went through my adolescence having this revelatory experience - I can have any music I want, and I can get it immediately. For me and for a lot of people I know, there's this musical eclecticism that happened.
I don't know if any specific religion is the one to subscribe to. I'm not saying, one way or the other. I don't want to get involved in that. But, I think having faith in this experience we are having as a group of people on Earth helps a lot.
Having done, you know, science fiction, I didn't want to get trapped in science fiction. So my eclecticism was my only conscious choice. I didn't want to find myself in a niche that I couldn't get out of.
I have been very lucky because I have had the opportunity to see what it's like to have little or no money and what it's like to have a lot of it. I'm lucky because people make such a big deal of it and, if I didn't experience both, I wouldn't be able to know how important it really is for me. I can't comment on what having a lot of money means to others, but I do know that for me, having a lot more money isn't a lot better than having enough to cover the basics.
Music is so incredible, the most healing force in the world along with love of course which all things are created and essentially are. I want to make films that can equal the energy experience of music, the experience of a record that sends your soul to heaven; a film can do this. I've seen films get in this area. Hopefully I've made some; I don't know but I want to make them like this, with the power of musical energy,that's one of my soul-goals for I am in awe of this love called music which I participate in everyday.
What's happened to the music industry, from my perspective, is a lot of great music is behind the wall that can't get through, and therefore, a lot of artists are getting discouraged.
When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!
I've always had some level of having to be independent outside of music because the music wasn't a smooth ride. We lost a lot in the mix: Everybody that I came in the music game with - friends I brought in with me - are all doing 10-34 years in jail. That's why if you want to get the real, you gotta get it from me.
A lot is gained through experience, but experience teaches some and not others. Effectiveness and excellence, whether or not they were attained by simply having the knack or through the school of hard knocks, is really what you want to reward.
What excites me about a lot of the artists I love - and I realize, well, they created their own personal world that I could enter into through their music and through their songwriting. There's people that can do it instrumentally, like Jimi Hendrix or Edge of U2 or Pete Townshend. I didn't have as unique - a purely musical signature. I was a creature of a lot of different influences.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
We put out press releases to tell people what had happened to me and that I had a large weight gain but a lot of people still didn't know. The ones that didn't know were floored. That was a real humbling experience for me.
When people take off the headset, they immediately have a creative idea about what they can make in virtual reality, and a lot of them immediately want to get involved.
I want everyone to be able to have the same experience through the music as me. It's important to get it out.
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