A Quote by Grimes

When I first started out, I was making really slow, psychedelic ambient music because it was all I could do. — © Grimes
When I first started out, I was making really slow, psychedelic ambient music because it was all I could do.
In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
When I first started making music, I wrote the lyrics first, but now, because the music has got kind of wilder, I've flipped it.
With 'Minecraft,' I've started creating serene ambiance music. As the game went on to become famous, people started identifying me as the ambient music person, which I never actually thought I was.
Music came first and I started to jam with people I couldn't communicate in their language. Then, because I could make friends thanks to music, they started to talk to me. Then I started to learn English.
I'm only really good at making music. I wasn't convinced when I started out, but then I heard the first Stone Roses' LP.
When I first started making music, I was all about wordplay and how fast I could rap, but over the years, I've really gained an appreciation for melody. What's cool is that when you're singing, you have to be concise, and when you're rapping, you have the opportunity to be really detailed with your lyrics.
I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
I started out really making music in my dorm room, and it wasn't really producing or anything like that; it was you making something.
I started out really making music in my dorm room, and it wasnt really producing or anything like that; it was you making something.
When I started working on ambient music, my idea was to make music that was more like painting.
I started making music because I could.
You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
I wouldn't say making psychedelic music is my focus. That's not the modus operandi for Tame Impala. It's about making music that moves people.
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