A Quote by Groucho Marx
I can't understand why you don't get any mail from me. Perhaps it's because I haven't been writing
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But why do you want to talk to me?' He is going to say: 'Because you look so kind,' or 'Because you look so beautiful and kind,' or, subtly, 'Because you look as if you'll understand....' He says: 'Because I think you won't betray me.' I had meant to get this mean to talk to me and tell me all about it, and then be so devastatingly English that perhaps I should manage to hurt him a little in return for all the many times I've been hurt.... 'Because I think you won't betray me, because I think you won't betray me....' Now it won't be so easy.
When I get real big volumes of hate mail, it's usually because I wrote something poorly. But it's also because some group told people to e-mail me and those people didn't read the article, they read the post about what I wrote about. And they all e-mail me. And they all come around at the same time.
People respond faster to you on a text than an e-mail. Why is that? Why will they ignore an e-mail, but get back to a text?
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
The fan mail I get from kids are asking me questions which they do not ask their mothers and fathers. Because if they had, why write to me, a perfect stranger?
Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
I do get a lot of mail. I get a lot of foreign mail because my mail gets mixed with Emilio Estevez.
The feminist movement has been important to me because it's made me feel less odd and also because it has made me understand some of the pressures on women which I was lucky enough to have escaped, perhaps because of my eccentricity or the oddness of my upbringing.
WWE didn't want RVD to get over when I was there. They tried so much to... to... not get me... to... to... keep me from that. They didn't understand why the fans liked me, because I don't fit the cookie cutter formula, because I am a non-conformist.
I go through fan mail myself, but I think I might get them censored, because I'm always expecting to get the one thing that says, 'I know where you live and I'm going to kill you!' I'm always expecting that to come, but it never seems to arrive. I never get any negative mail, so someone must be censoring them.
I started out with nothing in the world but a kind of passion, a driving desire. I don't know where it came from, and I don't know why - or why I have been so stubborn about it that nothing could deflect me. But this thing between me and my writing is the strongest bond I have ever had - stronger than any bond or any engagement with any human being or with any other work I've ever done.
I don't understand why one should be one thing or the other. Writing, to me, is writing is writing. It should be a flexible tool. Whatever skills I have, have to work for me; I won't be dictated by them.
I often attribute my screenwriting to journalism because they drill in the who, what, when, where and why - but we really need to land on that why. That's what I've been exploring in my writing for many years and trying to get better at.
Nobody told all the new e-mail writers that the essence of writing is rewriting. Just because they are writing with ease and enjoyment doesn't mean they are writing well.
I got a card in the mail from a close college friend saying that she was proud of me and what I've been doing. It was very sweet and honest. Nobody writes letters anymore, so when you get one in the mail, it feels very special.
For me, writing time has always been precious, something I wait for and am eager for and make the best use of. That's probably why I get up so early and have writing time in the quiet dawn hours, when no one needs me.
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