A Quote by Gugu Mbatha-Raw
I'm not turning my back on classical theater. It's all about opportunities and timing a lot of the time when things come up.
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Come on, come on, and there'll be no turning back, You were only killing time and it can kill you right back, Come on, come on! It's time to burn up the fuse, You got nothing to do and even less to lose...
Come on, come on! And there'll be no turning back! You were only killing time and it can kill you right back. Come on, come on! It's time to burn up the fuse. You got nothing to do and even less to lose.
I trust God's timing. I'm a very spiritual person, and a lot of times, we want things on our time, and we come up with our own plans of what we want to do with our lives, but God be like, 'Haha, you're funny. That's cute. Anyways, this is what you're going to do,' and I've learned to just sit back.
If I'm home and I come up with something, I'll try to record it, but a lot of the time I'll forget to. A lot of things go off into space and never come back 'cause I just don't remember them.
We do a lot of light classical programming with that, too... obviously... a lot of Tchaikovsky music, Grieg, things like that which have become less classical with classical concerts.
I actually grew up seeing a lot of classical theater - a lot of Shakespeare - but I have such a passion for music and find that way of telling a story to be really compelling as well.
I'm really eager to go back and do some theater. I would love to do some more comedy as well because I think that's really the hardest thing to do; it's what I grew up doing, and I would love to go back and do that. I did a lot of theater growing up - musical theater.
I was lucky enough to get into drama school in London back in 2005, and I was there for three years, and in those three years, we did a lot of theater. A lot of classical training.
A lot of times you can lose the MP3s - it's a lot of labor to be finding it again, putting things back up. You gotta back up, back up, back up.
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
I went to the University/Resident Theatre Association auditions. Deans come and watch you in this theater. You have three minutes, and you have to do two contrasting monologues - at that time, this is 2003 - one classical and one contemporary.
I would definitely go back and do theater; I talk about theater all the time.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
As I've gotten older and I've watched people in productions, I go to the theater when I go back to London and see friends in Broadway, I think maybe there might come a time here to get back up there and prove oneself. It's just an itch; it's a nagging itch to go back there.
One of the interesting things about 'Saw' is that you don't find out about things in sequential or linear order. One of the things that fans have liked a lot is, we don't forget about details. They come back and reveal themselves as the story evolves.
Right now I'm listening to a lot of different things but I listen to a lot of classical music. Eventually I would like to compose and perform classical.
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