A Quote by Gugu Mbatha-Raw

To play Cleopatra on Broadway would just be incredible. — © Gugu Mbatha-Raw
To play Cleopatra on Broadway would just be incredible.
'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.
Watching and learning from the great Josette Bushell-Mingo, who was playing Cleopatra in Antony and Cleopatra at the time, and then to return to the same stage six months later playing a lead role, was incredible - I fell in love with the poetry and the breadth of the language so much that I didn't want it to end.
I would love to do a non-musical Broadway or Off-Broadway play.
Nowadays, most educated people would just as soon stay home and watch 'Breaking Bad' as shell out a hundred bucks to see a Broadway play - assuming that there are any plays on Broadway worth seeing, which long ago ceased to be a safe bet.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
That's always - that's been another dream of mine, to do a Broadway play. An award winning Broadway play.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
I would absolutely love to do a revival of 'Bury the Dead' by Irwin Shaw on Broadway, but it would have to be Joe Calarco's version that we did Off-Broadway at The Transport Group in 2008. It was just one of those amazing shows that didn't run long enough and not nearly enough people got a chance to see.
The fact that I even get in Broadway shows is, to me, still amazing, but then to win a Tony was just incredible.
My early days in Broadway were all comedies. I never did a straight play on Broadway.
I remember doing Broadway, I started Broadway in 2005, and, of course, I sing two songs in the play, 'Hairspray'.
In school, when we lived in New Jersey, we went to Broadway a lot, so I saw a lot of Broadway plays, and I just loved being able to see people play a different character and, you know, be able to be themselves at the end of the night. So, I've always wanted to do it.
A play gets on Broadway by fluke. And you don't even start out with that ambition. When I do a play, the intention is just to put it up somewhere.
I would like to play Broadway!
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