A Quote by Gugu Mbatha-Raw
Watching and learning from the great Josette Bushell-Mingo, who was playing Cleopatra in Antony and Cleopatra at the time, and then to return to the same stage six months later playing a lead role, was incredible - I fell in love with the poetry and the breadth of the language so much that I didn't want it to end.
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CLEOPATRA: If it be love indeed, tell me how much. ANTONY: There's beggary in the love that can be reckoned. CLEOPATRA: I'll set a bourne how far to be belov'd. ANTONY: Then must thou needs find out new heaven, new earth.
The language is always powerful in Shakespeare, but with 'Antony and Cleopatra,' the speeches are so big and muscular and rich - exhausting to speak, actually.
You have so much fun playing games. We all love basketball, so we never want the season to end, 'cause then it's five months of sitting around and watching the playoffs.
I played a lot of moms. You're always too young when you're playing moms. My first kid when I started playing moms was about six months old. And then a month later I was doing another commercial audition and my kid was two, and then about eight months later my kid was 11.
One of my favourite pieces is 'Antony and Cleopatra' - I'd love to be in that. Or an alternative version of 'Romeo & Juliet' where I get to play Mercutio, something like that.
I had always been moved by the story and love of Antony and Cleopatra. Their love moved and changed the world. While their love ended in tragedy, their love endured the march of time. Their passion lit the world on fire.
I'm very aware that after you've played Cleopatra, there's not a lot that can top that in this sphere, so it means that I want to almost change the sphere I work in rather completely because I will always be comparing it to Cleopatra.
The theme of the dance was "Great Romances," or some such nonsense. There were projections of supposedly great couples from the past on the walls of the gym. Romeo and Juliet, Antony and Cleopatra, Hermione and Ron, Bonnie and Clyde, etc.
I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
Two of the first plays I saw after I arrived in Britain were 'King Lear' in Liverpool, and 'Antony and Cleopatra' at Stratford. One was produced with hardly a backdrop and the other with gigantic scene changes. I was impressed by what connected the two: the words and their life beyond the stage.
I think all novels are contemporary. When people went to see 'Antony-Cleopatra' at the Globe in the 16th century, they were not going to get a history lesson on the Roman Empire. It was about love, sex, and also about dynastic troubles.
People always think I was just playing in a piano bar, but I only did that for about six months. The rest of the time I was playing in bands.
To play Cleopatra on Broadway would just be incredible.
If there's a role you're playing and there's a great deal of material to explore because the person was real then it's a completely different preparation time and message to playing someone fictional.
I mean she's Cleopatra... shouldn't she and Antony have known better? They were so different..." "Variety is the spice of life" "And from a thousand miles apart" "Absence makes the heart grow fonder
I always liked Santos. Then I started watching, it was the time, when I was very young, it was Robinho, Diego. Then I got the season that Neymar, Ganso and Elano played, I saw them all playing, that's when I fell in love with Santos.
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