A Quote by Gugu Mbatha-Raw

From the age of four, I loved ballet and tap. I was in the school band, the choir, and all my school plays. — © Gugu Mbatha-Raw
From the age of four, I loved ballet and tap. I was in the school band, the choir, and all my school plays.
Before 'Music and Lyrics,' I was just doing high school plays and singing in my church choir and my school choir.
I loved doing school musicals [as a kid], I even started at an early age to write little plays for the school to perform. I was not just keen on that, it was during that time, during the school period then from an early age, that I began to dream about acting.
When I was a child, I went to stage school three times a week in the evenings - singing, ballet, tap, modern and acting, and I loved it.
I was in choir in school. I kind of just did it. I already knew I wanted to sing. My music program in my school wasn't really great - people didn't really want to be part of the choir, they didn't want to do the plays and stuff like that. It definitely wasn't the cool thing to do.
I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.
I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.
I knew acting was what I wanted to do. I don't know if I was brilliant at it, but when I was doing school plays, I loved it so much I didn't want it to end. I feel like I'm exactly the same as when I was doing plays at school, to be honest.
Having to go back and forth between school and filming would sometimes be frustrating because I loved school. It was my chance to be around other people my age. But when you're leaving school to go to a set that's filled with kids your age, then it's fine.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
My world was a community ballet school, a marching band, my two sisters and my girlfriends. I played saxophone in the band and was a bit nerdy.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I started out singing in high school in the choir and in a garage band.
When I was about 12, I spent the summer writing four plays on my dad's old typewriter for a school play competition. And I wrote little comic bits at secondary school and at university.
I loved music from a young age. At school I played the violin but I didn't sing much; there was an expectation of the kids in the choir that they'd have really pure tones, and my voice had all this texture to it. The anodyne soul of Whitney Houston and Mariah Carey was in the charts and I couldn't relate to it.
I was probably around 14 or 15 when I became really conscious of those girls who were going on to the Royal Ballet school, and that I was not Royal Ballet school material, not by a long stretch.
We class schools into four grades: leading school, first-rate school, good school and school.
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