A Quote by Guido Molinari

Seeing is looking at something in saturation. But we tend to look at something for, say, 1/30 of a second. — © Guido Molinari
Seeing is looking at something in saturation. But we tend to look at something for, say, 1/30 of a second.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
I tend not to look back on old clips of myself or look at things I wrote or listen to something from the radio 30 years ago: I remember them, but it feels like someone else.
When somebody listens and laughs, you're always in better shape than when you're with those folks who just kind of look at you when you say something funny. You wonder if they're looking at you because they're mad that they didn't say it or something. It's hard to handle that.
Google has you at a very specific mental state that is, looking for something. And what they've always been able to say is, we deliver your message at the exact time someone is, say, looking for fishing hooks or looking for marriage counseling or looking for a lawyer for a particular problem. And here we have our customers telling you what is in their heart and soul. It's something that, you know, advertisers have wanted for decades.
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
I tend to be very private. It's easier for me. When you're acting, you're very susceptible to comments that somebody makes, so if they know something is going to happen on the show, and they say something, it can actually throw you off. So I tend to not share things with anybody.
I tend to look at Trump as a real-estate mogul. You look at a building and say, 'I'm just going to tear that down and build up something new.' He's not exactly Mr. Preservationist.
A lot of what is done by the climate lobby is anti-science. But there is some science behind it. Like, there are greenhouse gases, and they do contribute to warming. But if you look at the last, say, 160 years, the first 80 of that period, they went up about four-tenths of a degree. And now, the second 80 that CO2 has increased by, what, 30 percent or something, it's gone up five-tenths of a degree. And there's been in the last 30 or 40 years, there's been no real increase in storms or bad weather.
Where Miles Davis can make you feel things.That's what I'm looking for from young guys. I'm looking for somebody who not just has a command of the instrument, but can actually say something to make you feel something, make you think about something.
It is not like adding wrinkles to look older; it is using the wrinkles I already have to say something else. What is disturbing is not seeing more lines on my face but seeing that the range of possibilities of what I can do is much more limited.
It's really something for people who are approaching 30 to take a look at what that means to them. I think turning 30 is a chance to re-identify with yourself.
There is nothing like looking, if you want to find something. You certainly usually find something, if you look, but it is not always quite the something you were after.
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
When politicians offer you something for nothing, or something that sounds too good to be true, it's always worth taking a careful second look.
If you say that you're all about a certain something, and look back and see that the choices that you've made don't reflect that, then there's something for you to look at.
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