A Quote by Guido Palau

I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel. — © Guido Palau
I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel.
I love Steven Meisel and David Sims' work, I think they're both amazing photographers. I want to be at the same level as them one day.
My most recent project for The Sims Label (2011 – 2012) involved creating detailed Flash mockups exploring game play and UI designs for two potential online versions of The Sims 4 (The Sims Olympus and The Sims Icarus).
I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.
A career high was when I did a cover for W Magazines July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.
There are some very creative people out there who are like Steven Meisel, and that is why their work is so extraordinary.
An Isaac Mizrahi fashion-show ticket signed by Steven Meisel. I rushed up to Meisel at the end of the show and asked him to autograph the card that had his name and seating assignment on it. It was an incredible moment when he shot the autumn/winter 2014 Moschino campaign.
Each photographer has their own vibe and presence that they bring to their shoots. Steven Meisel is a teacher. He teaches everyone on set something about their craft. He has an amazing way to bring out everyone's best in themselves.
In my teen years, I was hanging out with adults - Steven Meisel, Francois Nars, Oribe, Paul Cavaco. We had so much fun! We'd go out in New York.
I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'
I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.
It sounds cheesy but I think my life's kinda like a fairy tale. I worked really hard, but I'm very, very lucky too. I'm just 16 and I've done so many amazing things. I travel the world, I have fans who support me, and I get to do what I love - make movies, sing and really be myself. I have a beautiful family, a great support system, and wonderful friends - and I go shopping every week! I'm so lucky, but it's not necessarily like "A Cinderella Story."
Rex has photographers around the world - it's a higher touch business: there are a lot of relationships involved. If you throw an event, there are certain photographers you've worked with before and you want there.
With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.
I'm lucky, I'm very, very lucky. I work with some of the most amazing artists.
I'm extremely lucky that I've worked for and with amazing people in my life.
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