A Quote by Guillaume Canet
In any group there is more or less tension between people, and there are complicities and affinities.
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As I like to say to the people in Montgomery: "The tension in this city is not between white people and Negro people. The tension is, at bottom, between justice and injustice, between the forces of light and the forces of darkness.
Two persons can be very loving together. The more loving they are, the less is the possibility of any relationship. The more loving they are, the more freedom exists between them. The more loving they are, the less is the possibility of any demand, any domination, any expectation. And naturally, there is no question of any frustration
Throughout America's young history there has been a necessary tension between the individual and the group.
During the periods when South Korea played a more active role, the inter-Korean relationship was more peaceful, and there was less tension between the United States and North Korea. The last U.S. administration pursued a policy of strategic patience and did not make any effort to improve its relationship with North Korea. Also, the previous Korean government did not make any such efforts. The result is the reality you see today - North Korea continuing to advance its nuclear and missile program.
Our American history reflects a long-standing tension between people and power. In fact, all government everywhere does. But our American form of government solved the problem, better than most, of moderating this tension between people and power.
In 1983, all of us had U.S. passports, but because there was so much tension between America and the U.S.S.R., we were announced as a Canadian group.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
Knowledge is the raw material of production and value in this age. It used to be that the main difference between people in our society was between those who have more and those who have less. Today, however, the difference is between those who know more and those who know less.
The world is in such a mess because of the continuous conflict that arises between human beings - not only between individuals but between tribes and nations and this group and that group and so on. But change can come in only when people start with themselves.
What you have in the Middle East is tension not between Jews and Arabs, not between Israelis and Palestinians, but between the radical wing and the moderate people.
Like any self-governing group of people, the Recording Academy has made missteps over the years. Still, it has corrected course and done more to open its arms to the future than nearly any other industry group around.
The key to a better life: Complain less, appreciate more. Whine less, laugh more. Talk less, listen more. Want less, give more. Hate less, love more. Scold less, praise more. Fear less, hope more.
It's quite strange in fashion, and it's probably the same with movies and acting - the big choice is between being radical, making a choice that will be more specific that will reach less people but will be very strong and very directional, and making a choice that will be more popular and catch the interest of a large group of people. Sometimes people are trying to push you in one direction or another.
Political realism is aware of the moral significance of political action. It is also aware of the ineluctable tension between the moral command and the requirements of successful political action. And it is unwilling to gloss over and obliterate that tension and thus to obfuscate both the moral and the political issue by making it appear as though the stark facts of politics were morally more satisfying than they actually are, and the moral law less exacting than it actually is.
There's a lot of similarities, I think, between a thriller and a comedy because it's all about tension. It's about building tension and setups and payoffs and misdirections and surprising people and sort of pushing the boundary.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
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