A Quote by Guillermo Cabrera Infante

Watching a movie from beginning to end is like reading, because even though what you see are images, they are telling you a story — © Guillermo Cabrera Infante
Watching a movie from beginning to end is like reading, because even though what you see are images, they are telling you a story
Watching a movie from beginning to end is like reading, because even though what you see are images, they are telling you a story.
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
I am a creative person and watching a movie is like writing a story. So when I see a movie, I also see the editing, the music, the camera angles, etc.
Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.
I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
Every single song I write has to feel like it has a beginning, middle, and end, like a movie or a short story.
This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
I think maybe because I do other things and they mean as much to me as movie acting, it takes the onus off me. It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens.
I don't see divorce as a failure. I see it as the end to a story. In a story, everything has an end and a beginning.
To me, as a director and an actor, that's the main thing. "What's the heart of this story? What's the humanity of this story? And if the movie doesn't have it, then why am I watching it?" Even if it's a silly comedy, like Superbad or Knocked Up - Judd Apatow, I love, because he's all about heart. The humor comes out of the humanity.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
When you see a silent movie, you understand everything that's going on from the images because the images are so strong.
I actually like older horror movies more than newer ones because when I'm watching newer ones, like 'Chucky' or 'Saw' or whatever, I'm like, 'Come on, really, this isn't even good, all it is is blood and knives.' I like when it has a story line, you know? When it's actually a movie.
I actually like older horror movies more than newer ones because when I'm watching newer ones, like Chucky or Saw or whatever, I'm like come on, really, this isn't even good, all it is is blood and knives. I like when it has a story line, you know? When it's actually a movie.
Because I come from the theater, I use the images of the theater and of movies a great deal when I write. I see the story in my head. I have to break down the outline of a story first. I have to know where I'm going. Usually I have a good beginning and a good ending, and then I think, "Now I have to find my way through it."
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