A Quote by Guillermo Diaz

I was named Class Clown in the high school yearbook, so I was always turning to comedy and laughter to heal and to get me through things. — © Guillermo Diaz
I was named Class Clown in the high school yearbook, so I was always turning to comedy and laughter to heal and to get me through things.
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
In high school, I was the class comedian as opposed to the class clown. The difference is the class clown is the guy who drops his pants at the football game, the class comedian is the guy who talked him into it.
In 1970 or '71, early in the magazine, Michael O'Donoghue did maybe eight pages of a 1958 yearbook, from Ezra Taft Benson High School. But by the time the [book-length] high-school yearbook came around, he didn't want to be involved.
I was sort of the class-clown type, and I was also in school plays, and I always liked comedy.
It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'
People are always saying that I must have been the class clown, with all these voices. No, I was way too shy to be the class clown; I was a class clown's writer.
I was the class clown in high school, but I always took it too far, so nobody liked me. I was annoying. Like, I would get a laugh and then keep going and keep going.
My friends always said that I should be a comedienne - I was named my class clown.
I think I was always a class clown growing up and a funny kid. I never really knew how to channel that until I got into high school.
Hunter High School was a real turning point for me. I found out about its existence through the music school. Nobody I knew had gone to one of these special high schools, and my teachers didn't think it was possible to get in. But Hunter sent me a practice exam, and I studied what I needed to know to pass the exam.
Once we realized that there were these 25 invariable types - the class politician, the frigid popular girl, the kid who tags along behind the jocks - once we came up with these key characters in a cloud of marijuana, the whole thing just came together. One of the things I'm really proud of is how much of a high-school yearbook it is in its look, so much so that Hunter Publishing had the art director, David Kaestle, and I come for years to their annual convention and do a little talk on how not to do a yearbook.
I was two votes away from class clown in high school.
I really wanted people to pay attention to me and like me. And the class clown thing, you know? There's a weird desperation to the class clown when you really investigate it. Why are they trying to be the clown so much? They're filling some kind of hole.
I was the class clown, but I was also student body president in high school.
I was always the kid in school who tried to get attention, not necessarily the class clown, but I'd do little unexpected performances.
My friends and I were the class clowns in high school, so one day we were showing off at our seats, and I fell off my chair! I had to get stitches, and I had a bloody lip. I was trying so hard to be a cool class clown!
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