A Quote by Gulzar
I love the sufiana style of writing in Tagore's poetry.
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It's a common notion that if you like Tagore, then he must have had an influence on your life. While I like Tagore's poetry and his thoughts, he doesn't influence my work.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
I'm an actress, primarily. I love to write poetry. I've been writing poetry since I was 12 years old.
I love contemporary poetry because it moves between what we call poetry and what we call philosophy. It joins these fields and makes writing more natural, as in how it is lived in the person. We don’t separate thinking from feeling in real life, so why should we separate it in writing?
I wrote poetry in middle school and high school and even through college. It was bad. I just don't think I'm very good at writing poetry. I mean, the distillation, I think, is hard for me, but I love poetry.
Although I was able to study music with teachers, I never studied lyric writing. I read poetry, and I read other lyricists. But they were never writing in the style or the form that I was interested in.
I have been writing poetry ever since I was in high school. My poetry mainly concerned the theme of love. And that, of course, is an endless subject.
Charlie Puth. I love his song writing style - modern but classic production style with catchy hooklines.
Dabbling with Tagore was always scary. It happens with masters, with contemporary poets you know their vibes and their meaning. Tagore was different; his aura and the feel of his language was different.
I was already writing poetry, so I transitioned from writing poetry a cappella to writing over beats, and it was way more exciting to me that way.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
It helped my lyric writing so much studying poetry. I thought I knew what poetry was before I immersed myself in it. Poetry is meditative. It's reflective.
I love teaching poetry writing. Students come into the class thinking poetry has to be one way, then leave having created pieces that are wholly original, that have - quite literally - never been made before.
Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.
I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
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