A Quote by Gunnar Peterson
I really like battle ropes. They're so versatile; you can get a terrific workout doing a ton of different exercises with them. My clients like them because they're a good way to get aggression out, too. Had a bad day? Take it out on the ropes!
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I was surfing the Internet, and I came across a school in Atlanta where you could learn how to climb trees with ropes the way the pros do. It sounded terrific, and so I went down there, and I began to learn these kind of rarified techniques for how you get up and down trees while using special ropes and gear.
People keep themselves at a tolerable height above an infernal abyss toward which they gravitate only by putting out all their strength and lovingly helping one another. They are tied together by ropes, and it's bad enough when the ropes around an individual loosen and he drops somewhat lower than the others into empty space; ghastly when the ropes break and he falls. That's why we should cling to the others.
At my academy, I have a full 20x20 canvas but I don't have any ropes around it and do that for a reason so I don't get on my back on the ropes.
Las Vegas audiences are swingers. They're drinkers and swingers, and they like to have a good time and party. I never had a bad audience in my career. Sometimes it may take a little longer to get them, you know. But I would get them. I'd get standing ovations... Everything is attitude. It's very important to always like what you're doing.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all! Wind them and twist them together, they become an enormity.
When I glare, I don't see it as aggression. I have just got such passion to get wickets. I don't ever say anything, I just have a look and see if I can get their mind concentrating on other things and get them outside their bubble. I like to get them switched on, have a look and get in a bit of a battle.
People will say, 'How do I get abs like you?' I don't know. We're all different. If my girlfriend did what I did, hiking and yoga for a workout, it would affect her body in a different way. That's the message that I really want to get out there. I'm trying to counteract that culture.
The greatest blunders, like the thickest ropes, are often compounded of a multitude of strands. Take the rope apart, separate it into the small threads that compose it, and you can break them one by one. You think, That is all there was! But twist them all together and you have something tremendous.
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
There are players like that - you know they have been rascals, and that you can bring them in, give them a new environment and get a length of time out of them, but they will always return to type. You can get something out of them, then you have to get rid of them.
I try not to take people who haven't really thought out what they're doing too seriously. I try not to let them get in the way of what I feel I need to do.
Our language - the way that we deal with most actors is we don't like to get very complicated because we don't want them to think too much because we find it takes them out of the moment.
To do business with a friend is difficult. The business itself is so stressful, so if you're havin' a bad day you can easily take it out on somebody, and then you takin' it out on somebody can easily turn into a blowup. It's weird, because you might really get to know a person by doin' business with them, then you probably decide you don't even wanna be around them, and that can really launch it off.
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