A Quote by Gunplay

I never made music for that crowd. I never made music to fit in. I made music of what I like to hear. — © Gunplay
I never made music for that crowd. I never made music to fit in. I made music of what I like to hear.
I've always been good about interfacing with machines. But that never seemed like a gateway to being able to make music. I never made the connection that music could be made with machines - that was what drum and bass was for me.
Well, I never made a record to be in the Christian market. So when I made my record it was to exist in all of the markets. I grew up not really listening to tons of Christian music and if I did it was in the context of all the other music I listened to. So when I made the record I definitely had plans and visions and dreams.
There are artists that are using computers in all genres - Kendrick Lamar's music is electronic-made, and Taylor Swift is the same thing. There's a lot of pop music, underground music, and music for films made with computers. In that sense, it's not going to go away.
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.
When I was fifteen years old, the only distinction in music my friends and I made was [that] there's music made by people with short hair and music made by people with long hair.
I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.
We never made music to fit into anything or to reach a certain audience.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.
I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.
Belly made me aware that you could write songs that were mysterious or vulnerable. Their guitar-led music was in some ways very simple, the opposite of the pop music I was brought up with, like Michael Jackson. It made me realise music was something that you could be part of, make in your room.
In the three years that nobody heard music from me, I made more music than I've ever made.
Music is definitely my first love and the person who made me realize that I am made for music is my father Shri Gulshan Kumarji.
I think that people in general appreciate honesty and not trying to cook something up just to fit a mold that would be beneficial for you. I never made music like that.
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