A Quote by Gunter Brus

My picture-poems are linguistic margins on visual atolls. — © Gunter Brus
My picture-poems are linguistic margins on visual atolls.
At times I can't help going for visual comfort. Sometimes a picture fills up your head, and you try to move the actors around to make that visual statement.
Percentage margins don't matter. What matters always is dollar margins: the actual dollar amount. Companies are valued not on their percentage margins, but on how many dollars they actually make, and a multiple of that.
The tone of the picture and the atmosphere was in my head and in my blood in a way once I'd decided to make the picture. I had to find my way through that to choose, select, emphasise certain visual elements and sound.
I'm interested in concrete poems - anything that complicates the line between the written and the visual.
In my own research when I'm working with equations, I never feel like I really understand what I'm doing if I'm solely relying on the mathematics for my understanding. I need to have a visual picture in my mind. I'm constantly translating from the math to some intuitive mind's-eye picture.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
I wanted as little formal linguistic theory as I could get by with. I wanted the basic linguistic training to do a translation of the New Testament.
I think there's no harm, sometimes, to feel on the edge of things. If you're on the margins you can see a bigger picture. And I actually quite like standing at a peculiar angle to the universe.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Metaphor is, as a common feature of linguistic practice, an incidental expediency, a homely administering of first-aid by mother-wit to jams or halts in expression suddenly confronting speakers, with no respectable linguistic solution immediately in sight.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
People living on atolls like Tuvalu are among the world's most threatened populations.
Percentage margins are not one of the things we are seeking to optimize. It’s the absolute dollar free cash flow per share that you want to maximize, and if you can do that by lowering margins, we would do that. So if you could take the free cash flow, that’s something that investors can spend. Investors can’t spend percentage margins.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
A visual image is a simple thing, a picture that enters the eyes.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
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