A Quote by Gunter Grass
I was assigned to the Waffen-SS but was never involved in any crime. Besides, I always felt the need to write about my experiences in a larger context one day. This has only developed recently, now that I have overcome my inner aversion to writing an autobiography in the first place, specifically one having to do with my younger years.
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I catch myself judging myself as that 13-year-old boy, who, of course, rightfully points out that he is only a child. And my membership - well, I was drafted into the Waffen-SS and didn't exactly volunteer, which was just as idiotic. I wanted to be on the submarines and then ended up with the Waffen-SS.
To be honest, I’m more concerned with living my life than writing about my life. I feel like that’s really the main thing I know now that I didn’t know when I was younger — and that is that you have to have a life to write about one. If you’re more worried about having experiences so you can write about them, I think you’re kinda being ridiculous, and I think a lot of young people look at it like that.
I wasn't always a novelist. I began my writing career as a journalist, working on an afternoon newspaper in Sydney, Australia, doing the crime beat and court reporting. Having grown up in a small country town, I felt as though I had nothing to write about.
I am realising this now more as I grow up: that I never really felt connected to locations. In some sense, I always kind of felt a little lost in that I never had any hometown pride. While I experience a lot different places and experiences, I always felt a little detached.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
Love is what makes you do everything. It really does conquer all. With my first album, I was writing about empowerment hoping that would make it true. And now it is. I'm in charge. I make the rules. I've been writing since I was nine years old and I'm very much involved in the creative process. And now that I'm in a happier place in my personal life, I'm spitting songs out left and right.
My films have always had an element of immediate autobiography, in that I shoot any particular scene according to the mood I'm in that day, according to the little daily experiences I've had and am having - but I don't tell what has happened to me. I would like to do something more strictly autobiographical, but perhaps I never will, because it isn't interesting enough.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
When I was younger, I just put off the writing until later in the day, but now I write early every morning to get it done. I can only write for a few hours at a time; after that, my attention fades.
After so many books and so many years of writing, I have a good idea of my strengths and weaknesses. I love the process of writing and, if I allowed myself, I would write far too much every day. One weakness which I've struggled to overcome is my tendency to having my characters ruminate for pages.
I'm writing a poem right now about a nose. I've always wanted to write a poem about a nose. But it's a ludicrous subject. That's why, when I was younger, I was afraid of [writing] something that didn't make a lot of sense. But now I'm not. I have nothing to worry about. It doesn't matter.
When you first start off, I know singers who have only been in the business just a short amount of time, and they've already written their autobiography. I didn't want to write it too soon. I wanted to live a while and write about things that I felt were important to me - growing up in Wales, and the characters that I met and listened to.
Write about your experiences! When I moved to L.A., I didn't have any friends, and the office janitor was the person who I saw the most. He would always come in at around 10:00 P.M., and I would still be at my desk, so I wrote a play about a first-year TV writer and the friendship that she developed with the janitor. Our stories matter.
Dresden? There is not such a place any longer." "I want to point out, that besides Essen, we never actually considered any particular industrial sites as targets. The destruction of industrial sites always was some sort of bonus for us. Our real targets always were the inner cities.
I never thought I would write an autobiography, probably because my first novel, Go Now, is really all drawn from my life, even though it's more about the psychology going on.
The first 13 years of my life, I lived in China. My parents were missionaries there, and I was an only child. Often I felt lonely and out of place. Writing for me became my private place, where no one could come.
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