A Quote by Guo Guangchang
The aim of tai chi is not to strike first to gain dominance over an opponent, but to wait and hit at the right moment.
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What we did with 'Tai Chi Zero' and 'Tai Chi Hero' was break down the martial-arts genre and make it younger, hipper, and kind of cooler for the younger kids.
If someone teaches you alignment and - I'm not a tai chi expert by any stretch - so interviewing me about tai chi is kind of the cart before the horse - but just from my point of view as a student, it's simply that Master Ren can show you the relationship of power, stance and form.
The Chinese used the symbol of tai chi, the undifferentiated reality - no separation, no left and right.
Performing tai chi in space - it is comfortable; we got more outer space chi.
There is no mystique to Tai Chi Chuan. What is difficult is the perseverance. It took me ten years to discover my chi, but thirty years to learn how to use it. Once you see the benefit, you won't want to stop.
I meditate twice a day, T.M., and do yoga and tai chi.
From the physical aspect of things, I really enjoy Tai Chi.
Scoring and fishing are comparable. In both cases, you must have patience and wait for the right moment to strike power with the utmost coolness.
Anytime you can see a hitter and face a hitter, you gain knowledge, and you gain that experience. Whether they hit a homerun off you, or you strike them out or whatever it is, it's information.
I do yoga. I do tai chi. I do a lot to keep my body and my spirit together so I can work.
When I'm not at the keyboard, I'm generally reading, practicing tai chi or middle eastern dance, or cooking.
We can't go in the ring and think opponent is going to be like that from the last knockout. We don't know how he is personally. We have to go in there and wait and wait and wait and see what he has because he is still a dangerous opponent.
But I found tai chi when I was studying with Leung Shum, who teaches Eagle Claw and Wu Hao.
I've been doing Tai Chi on and off for 20 years. The fundamentals of all martial arts are the same.
I was a hyperactive kid, and it took awhile for me to find the right teacher. My master was a Shaolin kung fu teacher, but he also taught tai chi, Chinese medicine, brush painting - he was adept at all facets of Chinese culture.
When I'm recording, which is synonymous with writing, I'll play things over and over again until it sounds like I've got the right guitar part. Whereas I think, as the much younger player I tended to do things much more consciously. I didn't wait for the moment where inspiration might strike. That's what I do now. I wait for it to naturally start to replay itself in my mind. As I say, I don't force it. So I like to think of myself as a receiver. I'm a telephone line to who knows where, but until I hear it through that receiver, I don't usually do it. It's got to start writing itself somehow.
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