A Quote by Gurmeet Choudhary

I always want to work with a good director who's backed by excellent producers. — © Gurmeet Choudhary
I always want to work with a good director who's backed by excellent producers.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.
You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
If I feel the part is right, and I know that the producers and the director want me, I'd go for broke. Always.
I don't work for the commercial success of the film. I work to satisfy my producers who give me the money. I work to satisfy the director who has written a script for me. Of course, I have to satisfy the actor in me, but I want to satisfy them first.
I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.
The pressure is self-imposed because I always want to do excellent work, and I always want to be interesting to people watching me.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
Finally, I was called for "The Office" and I was really lucky, because a lot of the shows that I went out for I would work my way up from, like, an audition with the casting director to the director to the producers to the studio, I'd go through seven auditions, and then they'd give the role to a famous actress.
Do excellent work for Christ. So that's my heart. It's always been. And I want to be the best I can be. I want to make a difference in my generation.
I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.
I think a good director can embrace any genre and it's the kind of thing where you always want to do something different. You always want to challenge yourself.
I won't work with an unknown banner or director. I want to work with good, known people so my efforts can be noticed.
For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
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