A Quote by Gurmeet Choudhary

I believe when you work hard, even if you are a mediocre actor, the audience connects to you. — © Gurmeet Choudhary
I believe when you work hard, even if you are a mediocre actor, the audience connects to you.
I have said this many times, that there seems to be enough room in the world for mediocre men, but not for mediocre women, and we really have to work very, very hard.
We truly believe with hard work, dedication and perseverance, we can become the best at what we do. No one wants to become mediocre.
Not every work of art connects with the audience.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
[I]t is necessary to insist upon this extraordinary but undeniable fact: experimental science has progressed thanks in great part to the work of men astoundingly mediocre, and even less than mediocre. That is to say, modern science, the root and symbol of our actual civilization, finds a place for the intellectually commonplace man and allows him to work therein with success.
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
Everyone can lock into the rhythm on a tune. It's organic in nature. It connects the band as a whole and connects the band to the audience.
Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
In the contest between talent and hard work as to which is the more important element of success, there's no comparison. A mediocre talent with lots of hard work will go further than a stellar talent who coasts.
When I'm playing any of my characters, I totally go into the realm of the character. That's when I'm able to come up with the most creative stuff, and I believe that's what connects with the audience.
The secret lies in the actor's personal satisfaction. How can the audience be moved by a character the actor himself does not believe in?
My biggest fear as an actor is being involved in something mediocre, or being mediocre myself.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
I never think of an actor as a model. A model wears what you tell them to wear, that's their job. An actor is different. It's important to work with the actor because in the end that's who the audience sees and that's the success that you need.
Even if you are an established actor's son or daughter, you need to work hard.
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