A Quote by Guru Randhawa
From the very beginning, I was clear that it would always be music for me.
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Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, "Okay, there's this situation in which people always play music, and nobody has written music for that situation so I'm going to." So, that was a very clear example of spotting a niche and working for it. I have done that occasionally.
One thing was very clear and I made it always very clear at the beginning when I got into the governorship, and that was that I wasn't trying to become a career politician. This was not like I was going to be governor for seven years and then I was going to run for the Senate and then for Congress. That was never my interest.
For me, the music is always like the small rowboat I get into at the very beginning of my process.
Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
I live a very straight forward life and my job is public, my life isn't. That's a very clear delineation I've made from the beginning and will always tread that line.
I always felt that the music sells by itself. The music has always been the successful aspect on my career, and that means that, to me, I can always still stay very focused on music.
I never felt like I had a surface image to rely on that people would like - I always felt like my music would not be very fancy music, my voice is not very fancy, there is nothing hiding me from the audience.
I grew up in a kibbutz in the Galilee, but we were surrounded by Arabic villages, so I heard all these sounds and all this music. My father was very close friends with one of the Bedouin tribes, so I would always go there, to weddings, and I was always very fascinated by that music.
I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.
It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.
People are beginning to recognize reggae music, and know it's a very powerful music, and researchers have been researching and coming up with reports that it's a great music, a healing music
People would always ask me how I came up with my music and what it felt like to make music, and I would always see colours, and then I found out that that was synaesthesia. It helps me understand songs and what I like.
I'm very quiet. In the beginning, my brother would play the piano, and I would sing, because that's what my mom and dad did. And then along the way, somebody teased me for even thinking that I could get up there. That stayed with me, and I became very shy.
However, from the very beginning of the program, we made it perfectly clear that we would be out of Europe in four years; that whatever was to be accomplished had to be accomplished in that period of time.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
My mom always knew I was going to be an actor because I was a ham from the very beginning, so she would push me toward it, which is really unconventional for Indian families to do.
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