A Quote by Guru Randhawa

I think you should do Bollywood once you are all into your own market. Doing a Bollywood song for a particular actor or producer, you should be known in the world outside of Bollywood music.
When I think of Bollywood dance, I think of choreographies from the '70s and '80s. That was true Bollywood, what is now known as old school Bollywood.
Why should Bollywood accept me? I should accept Bollywood. I don't care if Bollywood has accepted me. I don't seek acceptance. I don't need to live up to anybody's expectations.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
I was told 'You should just do commercials and Bollywood' and Bollywood would be said to me like it's a bad thing.
India should not have any ties with Pakistan, be it Bollywood or cricket. I am shocked that Bollywood is saying that cricket and movies should be kept ahead of national sentiments.
I am greedy for both Hollywood and Bollywood. For me, Bollywood is not new, as it is something that I grow up on... I know the plot... stories and characters that are written and made. I haven't got the right opportunity to show my work in Bollywood.
I am not a part of Bollywood. Nobody cares about me in Bollywood and I have mentally resigned from Bollywood long ago. I am an independent filmmaker.
I need to focus on other things before I carry on in Bollywood. I can't be doing what I've done in 'Lungi Dance' and now the song 'Party With Bhootnath' with Bachchan over and over again. I've to reinvent myself for Bollywood.
In fact, one of my good friends is an amazing Bollywood choreographer. She once asked me to perform in one of her shows in college. So, I have danced to the Bollywood music and it was great fun. It is tiring and requires a certain level of fitness.
Earlier Bollywood was a fly-by kind of business which few wished to be involved in. Now Bollywood is good business and everybody wants to be associated with films. This is definitely a very significant change that I have seen in Bollywood.
My favorite is Augustus Gloop's song because it's very Bollywood. I kept telling Tim, 'We've got to do a Bollywood number!' and finally, he said okay.
As Maharashtrian actors, we are very conscious about our decisions in Bollywood. It's not cakewalk. Bollywood is vast, and there is a lot of competition. I don't want to be doing something small there.
Bollywood is there; the film industry is thriving, and it's huge, and it's everywhere. Anytime I travel abroad and I say I'm an actor from India, they're like, 'Oh, Bollywood!' And I say, 'Umm, not yet!'
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
When you're doing your own music, it's just you and your team. But when you go to sing someone else's song - Bollywood or ad or even collaboration - they've lived with the tune for so long you have to go by their vision.
I don't put seriousness in Bollywood movies. Because in Bollywood, people want entertainment even if it has no meaning.
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