A Quote by Gus Dapperton

I came up with a lot of characters when I was growing up that were just creative outlets, and then, at one point, I came across Gus Dapperton in the back of my head when I was making music.
Now the bigots have to get creative. Good luck coming up with slurs for Chechens. Go back where you came from, Ushanka head.
Can I ask why you’re throwing knives at cheese?’ ‘Caleb came by to discuss something,’ Tobias says, leaning his head against the wall as he looks at me. ‘And knife-throwing just came up somehow.’ ‘As it so often does,’ I say, a small smile inching across my face.
There came a point when I was thinking, 'I'm now 26, 27, working on music every day, but I'm not making, like, a lot of money. What's happening? I guess I'll just start making dog clothes.'
Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.
When it came to music growing up, it wasn't just gospel and R&B. My uncle brought rock 'n' roll to me when I was younger, and I loved it. I was open to all music.
When it came to music growing up, it wasn't just gospel and R&B. My uncle brought rock n' roll to me when I was younger, and I loved it. I was open to all music.
I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.
I certainly came up in an era where women were really making strides and making a point to beat down doors and find their place and crash through the glass ceiling.
I was growing up at a time when music was growing and changing so fast. I had learned all the big band sounds of the 1940s, Glenn Miller, Tommy Dorsey. But then along came Chuck Berry, Les Paul, Fats Domino and I figured out how to make their music as well.
My greatest influence came from my parents' love of classical music. We listened to a lot of arias and operas growing up.
I tied down time with a rope but it came back. Then I put my head in a death bowl and my eyes shut up like clams. They didn't come back.
For the longest, I was slightly naive when it came to the real world. There were a lot of fears I was afraid to conquer that were just holding me back from standing up for myself or taking chances.
I came out to Hollywood when I was just 18, and my dad, he was really into Hollywood and theater and art, and I guess growing up, he exposed me to a lot of culture, and I just started making Super-8 films in high school and decided I wanted to be a filmmaker.
So how’s it going?” “Okay. Glad to be home, I guess. Gus told me you were in the ICU?” “Yeah,” I said. “Sucks,” he said. “I’m a lot better now,” I said. “I’m going to Amsterdam tomorrow with Gus.” “I know. I’m pretty well up-to-date on your life, because Gus never. Talks. About. Anything. Else.
Every character I've had in my act - none of them have a similar creation story. I actually thought up Peanut and designed him in my head. I described him to a woman that was making soft puppets and she drew up some sketches. And the character came to be just because he popped into my head.
Then I heard another shot which hit him right in the head, over here, and his head practically opened up and a lot of blood and many more things came out.
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