A Quote by Gus Dapperton

At first, I was a pretty horrific singer, and then I got a little better. — © Gus Dapperton
At first, I was a pretty horrific singer, and then I got a little better.
Our planning system was dynamite when we first put it in. The thinking was fresh; the form mattered little. It was idea oriented. We then hired a head of planning, and he hired two vice presidents, and then he hired a planner; and the books got thicker, and the printing more sophisticated, and the covers got harder, and the drawings got better.
Rather, very, little, pretty - these are the leeches that infest the pond of prose, sucking the blood of words. The constant use of the adjective little (except to indicate size) is particularly debilitating; we should all try to do a little better, we should all be very watchful of this rule, for it is a rather important one, and we are pretty sure to violate it now and then.
We've got a very difficult situation created by this embrace of the so-called Arab Spring. And that's not getting better. It's getting worse. The carnage for the people of Syria is horrific, and it's quite frankly too little, too late to reverse a lot of that.
If you are a soul singer, you are a soul singer. If you are a heavy metal singer, then you are a heavy metal singer. What's color got to do with it? I don't go around thinking, 'I sing soul music and I'm white.' I just sing the way I feel.
Italy in the first years got food, for the first year or the first periods got food. Then we got raw materials and then we got tool machines, let's say, instruments for working.
I trained as a singer before I was an actor. I was a kid singer, I went to theater and choir school, and then I got music scholarships throughout my education. And that's what I was going to do. And then I took a left turn and went to drama school and became an actor.
You get an audience to laugh and then show them something horrific, it's going to be even more horrific because they've had the release of the laugh before it.
I wasn't planning on being a guitar player; I was going to be a singer. And I was for a little bit in the Sex Pistols - that is, until we got John Lydon. And then I realized I wasn't really suited as a front guy.
Personally, I'm happier than I've ever been. So for me and my tiny little bubble the world is awesome, but I think that the world is in a pretty horrific state, especially at the momet with Syria.
I say, as a singer grows older, his conception grows a little deeper, because he lives life and he understands what he is trying to say a little more. And I think this gives. If a singer tries to find out what's happening in life, it gives him a better insight on telling the story of the song he is trying to sing.
I definitely always wanted to be a singer and a performer. I think I got it from my parents because my dad's a singer and my mom's a singer, so it kind of runs in the family and I just thought it was normal.
When I did 'Scrubs', we were able to always do one as scripted, and then we got to play a little bit and do some stuff. I thought that was pretty loose, but then coming on 'Happy Endings,' it's even looser.
I don't think I'm getting better, quote unquote, as a singer or guitar player. But I'm more comfortable in this particular space. I get better at being a bad singer, so to speak.
I used to always have a pretty high, little clear voice, but as I got older, I got a little cornbread in it.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.
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