A Quote by Gus Dapperton

For me, I have trouble working with people just because I sort of have trust issues when it comes to creative endeavors. — © Gus Dapperton
For me, I have trouble working with people just because I sort of have trust issues when it comes to creative endeavors.
People ask, 'Do I have trust issues?' I wouldn't say I have trust issues. I have trust concerns. It's valuable for me to trust a person in particular.
The reason we started the Driver Era is just 'cause our creative endeavors sort of demanded it.
[I just try to stay around the same people] is what kept me out of trouble, because when I got into trouble, it was with people from the outside. The outside always led me to getting into trouble, and really just stayin' in the studio [and] workin' hard, and mainly just keepin' my mind straight.
The Church is always in trouble because the Church walks into the trouble in which mankind is trying to resolve itself. There are a lot of areas that need to be addressed. If we were perfect we wouldn't be the Church. I think it's the imperfections that allow people to trust that you're working (toward) something.
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family.
I just do things that I'm interested in making and work with the people I'm interested in working with, and it's very important for me to maintain the creative control because, otherwise, I just don't want to do it.
A more just world is possible. In most of the global issues, and also in so many of the development issues I'm involved in in our region, the young people that I am working with are seizing the tools at their disposal and trying to use them well, for issues far larger than their immediate personal benefit and concerns. That's what gives me hope.
The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.
Sometimes, you run into trouble as an actor when you're not working with someone who is collaborative or doesn't bring themselves to the piece, and you sort of have to start worrying about yourself and protecting what works for you in the scene. I never had to do that in this movie because it was sort of this trapeze act.
America is a country in which 75 percent of the people believe there's widespread corruption. We have got to go back to re-establishing a sense of trust. That has to be an assignment Trump takes personally. And that has to be more than trust me because trust me never works in the long run as a model. It's just - it's not possible.
The earth has always supported me in all my endeavors. I trust it.
Even if you're working a day-to-day job in the meantime to support your creative endeavors, you shouldn't give up, and make sure you don't lose focus.
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
Be not that far from me, for trouble is near; haste Thee to help me. Blessed be the Lord my strength, which teacheth my hands to war, and my fingers to fight. My goodness, and my fortress; my high tower, and my deliverer; my shield, and he in whom I trust; who subdueth my people under me. O my God, I trust in thee: let me not be ashamed, let not mine enemies triumph over me
I'm always writing my own music, recording my own music, even if I am 9/10 of the time recording stuff for other people. I'm still working on my own creative endeavors.
That's one of the biggest issues that we see in the question of governments right now, I think, in the Western world. Is that increasingly all of our elected officials are pulled from the same class. These aren't normal people. I don't want to say they're all terrible people, but at the same time, they're not like you and me. These are people who have sort of a nine to five working history.
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