A Quote by Gustav Mahler
What I wanted and what I visualized while composing has not always been realized.
Related Quotes
I always had a passion for writing, but I always visualized other artist singing my lyrics, I never visualized myself.
Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.
I used to play golf. I wanted to be a better player, but after a while I realized I'd always stink. And that's when I really started to enjoy the game.
I used to play golf. I wanted to be a better player, but after a while, I realized I'd always stink. And that's when I really started to enjoy the game.
I always tend to think that composing is not playing an instrument, composing is having something in your head that's steaming and it has to go out. It has to become sounds and be written. It's an emotion that you can't repress.
I always wanted to be a comedian. I loved comedy since I was a little kid, and while I was at university I started doing stand up shows. Once I realized that I was good at it I quit college and left although I had six months left. I went to England. I could have done the last six months but I realized that I was better at standup comedy than I was at singing opera.
Learning is available at the library for free; under a tree with a dog-eared paperback; at a job with a boss who gives you responsibility and mentorship; while traveling; while leading a cause, movement, or charity; while writing a novel or composing a poem or crafting a song; while interning, apprenticing, or volunteering; while playing a sport or immersing yourself in a language; while starting a business; and now, while watching a TED talk or taking a Khan Academy class.
In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.
I was always the kid who wanted Christmas to not come, because I realized at a pretty early age that no matter what you got, there's always a little bit of a letdown. It's like, 'Oh, gee, I wanted two ponies, not one.'
When I composed the first sonic meditation, I realized that I was composing the direction of attention.
In my life, looking at other women who have been pregnant while writing, I always feel like it's kind of their most musical or the closest to themselves. I think for me it's such a validating moment, you know. I always knew I wanted to have kids, and I've been making music all my life.
I took a look at my own life and realized that I was overinvesting in my kids. I realized that I had to get out of the way and let them be who they wanted to be, not what I wanted them to be.
There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, 'Okay, I'm ten years old, and I've spent the past six hours outside in the rain.' It taught me how to be specific about what kinds of projects I wanted to do and what kind of work I wanted to do.
I've always been fascinated by how the past impacts the present. For the first half of my career as a novelist, I wrote psychological suspense mysteries. I wanted to be a therapist but was told that while I was a fine diagnostician, I would be a terrible therapist because I wanted to solve everyone's problems.
Composing a melody or a western song is easier than composing a commercial number.
I'd accepted a while ago that there were too many reasons for me to even think about him romantically anymore. Every once in a while, I slipped a little and kind of wished he would too. It'd have been nice to know that he still wanted me, that I still drove him crazy. Studying him now, I realized he might not ever slip because I didn't drive him crazy anymore. It was a depressing thought.
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